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[Images from the Id] – The Histogram

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Images from the Id – So why is everybody looking at the back of their camera?

The obvious answer is not necessarily the correct answer. Are they looking at the “picture”? Well, sort of. Advanced photographers may want to check the composition but they know, other than that, the LED screen doesn’t give much more. It can do much more when you understand what is important in the image you just took.  There is a setting, in almost all digital cameras, which can give the information use to judge the quality of the image.  This is called the histogram. The histogram is a graphic representation of the distribution of the tonal range of the image. This is nothing more than the distribution of light, dark and mid tones in the image, the contrast. This is important because it can tell you whether or not you have “clipped” any information from the image. This happened when the histogram graph is piled up on the extreme right (light side) or left (dark side). This means you have lost detail i.e.. information from that tonal range. Most of the time it is best not to clip detail because with the RAW file you have the ability to bring out that detail in the software. There is no such thing as the “perfect” histogram. The “Bell” curve doesn’t happen and actually there are time when you want to be tilted a little to the left or right. Example a snow scene should have more bright pixels, lean to the right, because snow is white not gray. That jack o lantern should be all dark and all light, nothing in the middle to just get the image of its face.

Next week – Putting it together or let’s see how it works

JACK 2-001

[Images from the Id] – The Raw Wars

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Images from the Id: The RAW Wars.

OK we are done with the basics of exposure. Just one of those things you must remember. Those simple ideas have a great effect on your images.

Ice Angel

Shooting Raw

Most good cameras, beyond the smart phone, can capture images in what is called a RAW format. As a photographic educator I have heard hours of arguments about this. The battle is on. There is a very small number advanced photographers who shoot in jpeg format and do very good work but most of us shoot RAW. Raw is file format when the camera records in the file and all of the information available in the scene, that the sensor can record. Jpeg takes the information and compresses it to a smaller size. Sort of like condensing orange juice, something is removed (in the case of OJ, water) and something is missing. If you think reconstituted orange juice tastes the same as fresh maybe my argument is unimportant. There is a difference and it depends on whether you care or not. When a camera takes a jpeg it compresses it and usually a little computer makes a decision in a microsecond as to what it should look like. Many times it can work very well but most of us would rather make those decisions. The RAW file gives us the ability to make a much great range of adjustments on the images. Examples of adjustments that are better in RAW would be white balance, noise reduction, sharpening and dynamic range among others. In a jpeg image these are controlled by the camera not the photographer. Which do you want?

Before I go on let me make something clear. Jpegs are very important- just not as good for the capture of images. Computers and software can only render-see Jpeg images. So even a RAW file must have a Jpeg component so the computer can show it on the screen or the camera on its LCD.

Advantages of jpeg

1. Small file size about 1/4 (or less) that of a RAW file

2. Very good quality (depends more on the computer in the camera but most are good)

3. Less post-capture processing (that little computer again)

4 No conversion needed

Advantages of RAW

1. Much more control over various attributes of the image

2. Possibility for excellent (better) results

3. Photographer controlled

Disadvantages of jpeg.

1. Something is gone for ever. Unlike orange juice you just can’t throw the water back in.

2. Many adjustment decisions made before the file is recorded

3. Less ability to improve or do any substantial work with the image.

4. Sort of like having your hands tied.

Disadvantages of RAW

1. Large files (a file from a Nikon d800 can be 36 mb)

2. Needs a RAQ converter (Not really a problem usually it comes with the camera and all good     editing software has one ex. Photoshop has Adobe Camera RAW (aka. ACR)

3. A jpeg will “look” better before processing

Some people save in both formats but usually it’s a waste of time and disk space. Adobe has produced an open-source RAW format called Digital Negative (.dng) this is independent of the camera and the company and does not require special coding to convert. More and more camera companies like Leica are using it.Nikon (.nef) and Canon (.CR2) are their own. and it is comparable with most software.

Next week: Why are they looking at the back of their camera?

[Images from the Id] – A little planning goes along way or it’s the Holiday Season.

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Images from the Id: A little planning goes along way or it’s the Holiday Season.

Jack-001

Last week, we were talking about exposure. What does that has to do with the Holidays and planning? One of the most important parts of the exposure triangle is the f-stop or aperture. Learn to use it and you will experience significant growth  in your ability to create your vision. This is why advanced photographers always set their camera mode to A for Aperture Mode or even M for Manual Mode. P or Programmed Mode can be usable but more complex. Why all this trouble? It has to do with focus. There is a property of any instrument that produces an image called Depth of Field. If there is one thing you learn to use correctly this is it. Depth of Field is the distance (or depth) of the image, foreground to background that is in focus and it must be controllable and controlled.  The smaller the aperture (Bigger number – Remember it’s a fraction and bigger denominators mean smaller numbers) mean greater depth of field. DON’T forget that. The problem with a typical point and shot camera is there is very little control of the depth of field. It drives me nuts because that is the first thing I try to do. Now my iPhone like most Smart Phones has no control because it has a huge depth of field  because its lens focal length is extremely short. It is an advantage for that type of photography.

Rules

1 – Get the camera out of Automatic and into A (Aperture) so you can select the aperture

2 – Learn to control Depth of Field with the f-stop. The greater the f-stop the greater the Depth of Field.

3 – Keep the exposure you want by observing the Exposure Triangle (Last week)

4 – Change the “normal” exposure to create your vision

 

A modern camera will select the exposure by comparing what the camera sees with a tiny computer perception of what it is. Usually this is a decent average but not necessarily what you want. Change that to get the depth of field you want then look for the expose you want.

Holiday shots can be more creative if you try some different ideas. Example, use a lower view point, kiddingly called getting down. Try a low shot of the turkey with the camera close to the bird and the family around the table. The bird will look very big and with a small aperture (big f-stop number) like f-18+ and everything in focus. This is one place where the smart phone may out do a point and shot. Now how about a picture of the turkey with the background out of focus. Hint – large aperture (small f-stop number). Get the idea? Impossible with the smart phone. This is one of the highest priorities in good photography.

 

Exposure – This is a little more difficult but learn how to override the camera’s exposure choice. Most of the time this is a button marked +/-, somewhere on the top of the camera. This is why most pros and advanced amateurs use the Manual Mode. In the Manual Mode you ca easily see the camera’s choice and adjust it to want you want. I find this is good for many situations but not for fast shooting, such as wildlife.

If you want something moody cut down on the exposure. Snow sense might need a little more exposure for white snow. Next week: So all this is interesting but who do I judge exposure or Why are those guys always looking at the back of their camera?

Camera Craziness

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My New CameraI am the poster child for the chooser’s paradox. Someone please, strip me of all these freaking decisions.

I bought a camera, finally. I’ve been waffling and wringing my hands over this issue for months. My current camera is a hand-me-down from my Dad. I think my Dad has had 3 new cameras since this one. I want to have good pictures from Venice. So I should just relax. Brother.

Also, beware of the camera you see at Best Buy for $299 selling at some website you’ve never heard of for $199. Apparently they are Chinese imports and they don’t come with some of the factory items like batteries or warranties. I had to learn that lesson twice. But learn it I did, and have since purchased and received shipment confirmation from Buydig.com. I asked the professionals I work with and they gave me the recommendation. Now, I just need to hire a professional photographer to go with me!