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[Kicking Back with Jersey Joe] Jersey Joe’s Top 100 TV Themes (81-90)

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Last week, we kicked off the summer by checking out the bottom ten of my 100 favorite TV show themes of all time.  This week, we’re looking at 81 – 90.

 

This is more than just a top 100 countdown list.  Each show theme has been judged by theme song, style of video presented, and effectiveness at introducing what the series is all about.

 

Without further adieu… Here’s the next ten:

 

#90 BAYWATCH

Airdates: 1989-1990 (NBC) & 1991-2001 (Syndicated)

 

http://youtu.be/qPdeDV8zCWk

 

Oh, Baywatch!  How I used to rush home from high school to watch your reruns everyday at 4pm on WJAC!  What a perfect time for this show, right before the 5pm news!

 

The real beauty of this show was the slow motion running shots.  But, most people don’t remember this actually started on NBC in 1989.  The ratings from the first season weren’t that great and the show was cancelled by the peacock network.  It was David Hasselhoff himself and the producers that kept the show alive when they pooled together their own money and took the show into syndication, where it was a hit!

 

Over the 12 seasons, the main cast of the show changed quite a bit.

 

With ratings dropping, the producers decided to move the show.  They first tried to move it to Australia, but after from protests at the local town where they wanted to shoot, they settled on Hawaii for season 11.

 

 

By this time, the show was suffering from series writers block and ratings continued to sag.  Hasselhoff left the show after a season into this format, and without the main star, it was canceled after the second Hawaii season.  Here’s the last and final series intro with a completely different song:

 

 

One of the strangest things this series ever did was the dark, detective spin-off Baywatch Nights.  The show ran for 2 seasons and had Hasselhoff battling murders and aliens!  While it’s technically a different show, I had to make a note of it!  Here’s a look at the opening credits with the song After the Sun Goes Down.

 

 

Season 1 was more of a murder/detective theme.  But, it really went sci-fi for season 2.  You now had Mitch the lifeguard battling ghosts and aliens.  It didn’t work and the series was canned.

 

 

#89 THAT ‘70S SHOW

Airdates: 1998-2006 (FOX)

 

I generally hated this sit-com, but I must be in the minority because it was a ratings hit for a long time.  I remember seeing the original FOX upfront presentation where the working show title was Hanging Around.  By the time it hit the air, it was under the name we all came to know, That ‘70s Show.

 

 

They even did a special Christmas intro for a holiday special!

 

 

For me, it was one of those shows where the kids seemed to be too old to be – kids.

 

As the years went on, the stars made bigger names for themselves.  For the last season Topher Grace and Ashton Kutcher left to become movie stars.  The show just wasn’t the same and could only last one more season.  It’s hard to keep a show on the air when you lose two of the main cast members.  Here’s a look at the opening from the final season:

 

http://youtu.be/acaixw3ckYQ

 

The show was supposed to start in the 70s and end in the 80s, but the FOX programming bosses decided to create a spin-off That 80’s Show.  It was awful and lasted less than a season.  Remember this?  (the show open was as bad as the series and it doesn’t count for our top 100 list… just mentioning it here for the sake of bringing it up.)

 

http://youtu.be/vcX8GULcYDc

 

#88 MACGUYVER

Airdates: 1985-1992 (ABC)

 

This guy could get out of any situation with a pocket knife and duct tape!  It was amazing to see what invention MacGyver would come up with to get of a life threatening situation week after week.

 

http://youtu.be/Y6_1bNYpMmM

 

Whether it was a big explosion, government corruption, or a murder spree – it was great to see MacGyver figure his way out and beat the bad guy.  Too bad he never came up with a how to book!

 

#87 THE PEOPLE’S COURT

Airdates: 1981 – 1993 & 1997 – present (Syndicated)

 

What you are about to witness is real.  These are not actors; they are actual litigants with a case pending in Civil Court.  Both parties have agreed to drop their claims and have their cases settled here, in our forum, The People’s Court.

 

 

The People’s Court is television’s first ever dive into bringing court cases to the airwaves.  While a similar show aired briefly in the 1960’s, the latest version helped spawn all the court show wannabe’s the dot daytime TV.

 

The original series was hosted by Judge Wapner and taped in Los Angeles.  The latest series was first overseen by Judge Ed Koch, who passed away last year.  The second judge was Judge Judy’s husband, Judge Jerry Sheindlin.  He was too busy trying to copy the angry attitude of his wife and was replaced by the current judge, Judge Milian.

 

The latest version was taped in New York City, but last year production moved to Stamford, Connecticut.

 

http://youtu.be/DEvm4gN26pE

 

Even over all these years, that da-da-dah three note theme is one of the best.  You know it’s time for court when you hear that music and the bongos kick in!  It’s also great that the set has remained basically the same for over 30 years!  Why mess with a winning formula?

 

#86 OUT OF THIS WORLD

Airdates: 1987-1991 (Syndicated)

 

How would you like to freeze time by just pressing your two index fingers together?  Who wouldn’t, right?

 

 

This show was one of a package of sit-coms that were available for local stations to air, usually on the weekends in the late 80’s.  This series dealt with a woman, who unknowingly marries a space alien and has a daughter who inherits her father’s alien powers.  She is also able to talk to him, once per episode, by a diamond shaped device voiced by Burt Reynolds.  The sit-com dealt with her growing up without a father and maturing into a woman, all while trying to hide her special powers to fit-in their California neighborhood.

 

#85 ANIMANIACS

Airdates: 1993-1995 (FOX) 1996-1998 (WB)

 

They just don’t make cartoons like this, anymore.  The Animaniacs were both for kids and parents, alike.  Many of the jokes were either topical, political, or classic TV satire that was way over some kid’s heads!

 

 

This series was basically a spin-off of Warner Bros.’ Looney Tunes and Tiny Toon Adventures.  These three characters had been created decades ago; then locked up in the studio water tower for being so hilariously out of control.  Although, we’re still not sure if they are cats, dogs, or just weird.

 

Most of the episodes where three short stories, just like the old Looney Tunes did.  This may be the funniest cartoon show ever created!  My favorite was their running gag that mocked William Shatner.  That was pure gold!

 

One of their greatest bits was when Wakko sang every nation of the world!  Pure genius!

 

 

This show should have run for a long, long time.  But instead, the network wanted to take two of the genius mice characters, Pinky & the Brain and give them their own show.

 

#84 IT’S GARRY SHANDLING’S SHOW

Airdates: 1986-1990 (SHOWTIME)

 

If I ever had an intro to my own TV show – I would want a song like this!

 

 

The premise of this series was great.  Garry was the host of a late night talk show.  This series gave viewers a behind the scenes look at this home life and setting up for the show.  He would also frequently break TV’s fourth wall by talking directly to the audience.

 

#83 EVERYBODY LOVES RAYMOND

Airdates: 1996-2005 (CBS)

 

The simple piano theme really didn’t fit in with the show’s material, but somehow it did work.

 

 

The early seasons of the show would have some kind of set up intro like this, but sadly as the seasons went on, they would drop any opening songs and roll the credits during the first few minutes of the show.  It was another victim of shows ditching their opening credits for more ad time.  I don’t know, maybe I’m a sucker for that soft jazz piano?

 

#82 FALCON CREST

Airdates: 1981-1990 (CBS)

 

I have to admit… I never watched this show.  I remember the opening credits from when my grandmother would watch this every Friday night.  It came on right after Dallas and we only had a couple of channels to choose from.  (Who remembers having to turn the antenna and actually tune in a station?)

 

 

The show dealt with a rich family that owned a California winery.  It was part of CBS’s Friday night soap operas full of money, crime, and power.  Even after all these years, that powerful orchestral opening still stands out to me.

 

#81 BEVERLY HILLS 90210

Airdates: 1990-2000 (FOX)

 

Here’s another show that I never really watched, but everyone recognizes that opening theme!

 

 

A show about a bunch of rich kids in California ended up as a ratings blockbuster for FOX and just about every teen in the country was watching.  As the series went on there were a few cast changes, but they always kept the theme generally the same.  Every season they would do a new shoot with the cast laughing and carrying on in front of a white cyc.  We all do that with our friends, too… Right?

 

 

In later seasons, the parents would be dropped from the series and from the opening credits.

 

THE 411

 

What: TV Theme Songs

 

Use: themes used to open a TV series or cartoon

 

Purpose: introduce main cast and introduce audience to the theme of the series

 

Numbers reviewed: 81 – 90

 

JERSEY JOE RECOMMENDS:

 

I hope you enjoyed the look at these second nine themes.  Sorry that I wasn’t a fan of all the shows, but I am a fan of all the themes!

 

Check back next week when we take a look at numbers 71-89.  We’ve got a talking horse, a pen that sings, and the king of late night!

 

I don’t own any of the rights to these, nor did I upload them to YouTube.  This blog is presented for educational and informational purposes.

[Kicking Back with Jersey Joe] Jersey Joe’s Top 100 TV Themes (91-100)

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Quentin Tarantino once said in an interview that opening credits in movies are the only mood time a film really gives itself.  That can also be said for the opening credits to TV series.  Along with the actors’ names, you also get a feel for the show thanks to the visuals and the theme song.  Sadly, as TV continues to look for more ways to jam in more ad time, TV themes have mostly gone by the wayside.  I long for the days, when you would watch a show and after many weeks, you would have that theme song stuck in your head.

 

This summer, I’ve decided to list my top 100 favorite TV themes.  This started off as a great idea, but turned out to be a much harder task.  In fact, I had more than 100 on the list.  There were lots that I had to leave behind.

 

To make my top 100, the show opens had to meet several factors.  First, the theme song: if it’s not a catchy tune, then it’s no good.  It doesn’t necessarily something you sing along to, but it has to be something that sets the mood of the series.  Second, it would have to be the visuals.  There’s no sense having an awesome song if you’re going to play it over a black background.  I need to know what the show is about and the theme is the perfect fit.  Lastly, the theme has to accurately reflect the show.  If the show is a comedy, then it needs to have a light and happy theme.

 

Hopefully, you will enjoy this look back at some of your favorite shows and a few that you’ve probably forgotten about.  Along with the showing you the show open, I’ll discuss why I liked the theme, and offer my own insights into the show.  In some cases, I will also present alternate versions as well.  For better or worse, some shows would change up their themes during the series run.

 

So, like Casey Casem’s old radio show, here are my top 100 themes.  This week, we’re counting down numbers 100 to 91.

 

#100 MAMA’S FAMILY

Airdates: 1983-1984 (NBC) & 1986-1990 (Syndicated)

 

 

That was a look at the season 1 opening when the show aired on NBC.  When the series was canceled, a year later in entered syndication, where some of the best episodes took place.  When the brought the show back, they dropped the two kids and introduced Bubba, Thelma’s juvenile delinquent grandson.

 

 

I had no idea this is a thing, but apparently there’s a Mama’s Family challenge that was going on YouTube.  The object is to stare directly at the screen while the Mama’s Family theme played and try not to smile.  I don’t know – did this guy succeed?

 

 

#99 MAUDE

Airdates: 1972-1978 (CBS)

 

 

A spin off of All in the Family, Maude gave America our first look at Bea Arthur.  Her priceless facial reactions made her the perfect choice to lead her next, more successful show The Golden Girls less than a decade later.

 

I love how this open give you a look at a 1970’s New York City.  You get to see the now demolished West Side Highway, which I am ever so thankful that I never had to drive on!

 

One of the craziest things I’ve ever done was to memorize this song after my friend Mike’s 30th birthday party.  It seemed like a good idea at the time and I stayed up for hours doing so… in full disclosure, I got talked into it after a few too many libations in a Hoboken bar.  Hey, I blew his mind when I came to work the following Monday and sang it word for word!  Still, that story’s not as funny as what The Family Guy did to the Maude credits…

 

http://youtu.be/fjWhDLbr3MA

 

#98 THE HOGAN FAMILY

Airdates: 1986-1990 (NBC) 1990-1991 (CBS)

 

http://youtu.be/kjtGXztRJuc

 

It’s the show that had three different titles and the main star walk off the show.

 

When it first aired on NBC, the series was known as Valerie starring Valerie Harper.  Yes, Rhoda from Mary Tyler Moore.  She got into a dispute with the producers and walked off the show at the end of season two.  She obviously ticked off the NBC executives as well, so they killed her off!

 

For season three, they brought in Sandy Duncan to take care of her mourning family and re-titled the show first as Valerie’s Family: The Hogans and then simply to The Hogan Family.

 

The expression on Sandy Duncan’s face after she catches that ball in the second shot drives me nuts.  What would she have looked like if it had bounced off of her head?

 

Here’s a look at the same show open during the first season Valerie Harper year.  Enjoy the bonus commercial for Chic jeans!

 

 

#97 AMERICAN GLADIATORS

Airdates: 1989-1996 (Syndicated)

 

 

How about those original American Gladiators?  I would have given anything to sit in the audience of this show back in the day.  I’m sure I would have died running around in those giant spheres or the final Eliminator, but it would have been fun to shoot Nerf balls at the Gladiator for points.

 

NBC tried to bring this show back in 2008 during the WGA Writer’s Strike, because there’s no script to write.  That version, with Hulk Hogan, had very little resemblance of this fun original and flat out stunk.  It was only on the air for a few disappointing episodes.

 

At one point, they tried to bring this as a live show to the Las Vegas Strip, but it got tied up in legal matters.  There was a dinner show, similar to Medieval Times, featuring many of the original Gladiators that ran for less than a year in Orlando, Florida during 1996.

 

#96 HOME IMPROVEMENT

Airdates: 1991-1999 (ABC)

 

 

This was a look at the season two and three opening credits for Home Improvement.  This was the longest version, before they started cutting back as well to shove more ad time in.

 

The open changed several times over the years as the kids got older, but generally kept the same basic theme.

 

Remember when Baywatch babe Pamela Anderson got her start at Tim’s first assistant on Tool Time?  No wonder he grunted!

 

#95 SEAQUEST DSV

Airdates: 1993-1996 (NBC)

 

 

It was Star Trek under the sea and NBC was looking to cash in.  This show had a ton of potential, but sadly was a victim of constant network tinkering.  Like why did they blow up the ship at the end of the first season?

 

For the third and final season, they picked the whole ship up and put it on an alien planet to add even more sci-fi adventure that just didn’t work.  The show got so bad, that the captain Roy Scheider quit after season 2.

 

#94 NEW GIRL

Airdates: 2011-present (FOX)

 

 

This second version of the New Girl theme is 100% better than the first.  While the song is still sung by Zooey Deschanel, the original opening had the cast sitting on a coach over a white cyc, while Zooey just kind of danced around.

 

This is one of the few sit-coms on TV right now that still has a show open.  Occasionally, they will cut it short or not use it at all, when an episode runs a little long.

 

The original working title for the show was Chicks & Dicks.  I can see why that didn’t clear the FOX censors.

 

#93 THE OC

Airdates: 2003-2007 (FOX)

 

 

While I was not a regular viewer of this show, I really liked the opening credits.  The show used a great deal of indie rock songs and did the same for the opening.  Phantom Planet’s California, still gets an occasional play on the radio and at sporting events regarding California teams.

 

The graphics, cast shots, and b-roll almost make you feel as though you are sitting on a West Coast beach!

 

The credits changed only very slightly throughout the four seasons.

 

#92 PUNKY BREWESTER

Airdates: 1984-1986 (NBC) 1986-1987 (Syndication)

 

 

As a kid, a remember watching this show, and thinking how cool Punky was with all of her adventures.  Now, as an adult, I realize some of the episodes have some very dark tones such as the fight over adoption, drug use, and even sex!

 

I haven’t seen an episode of this series in decades, but that theme song is still stuck in my head.  At least this song does the trick.  By the time you get to the end, you completely understand that an old single guy adopts a rag tag orphan girl.  That’s a sure recipe for 80’s sitcom success!

 

#91 TEENAGE MUTANT NINJA TURTLES

Airdates: 1987 (pilot only, Syndication) 1998-1993 (Syndication) 1990-1996 (CBS)

 

 

Heroes in a half shell – turtle power!

 

They were actually singing this theme one night last year on Late Night with Jimmy Fallon and it instantly brought back memories.  As a kid, this show was on weekday afternoons and also Saturday mornings!  That’s a lot of turtle power!

 

Another great theme song with another great show open.  You knew exactly what you were getting into seeing the start of this show.

 

I always wanted to dress up as one of the turtles for Halloween, but sadly never have.

 

I did learn in doing research for this blog that when the show aired in Europe, it had to be retitled Teenage Mutant Hero Turtles due to controversy over some of the weapons used on the show.  Check out the altered open and really bad editing.

 

http://youtu.be/iaNc-fLwXhQ

 

But, with all of their fighting skills, why couldn’t they ever defeat Shredder?

 

A new version of this series showed up on FOX, CW, and Nickelodeon a decade later and was only vaguely related to this series.

 

THE 411

 

What: TV Theme Songs

 

Use: themes used to open a TV series or cartoon

 

Purpose: introduce main cast and introduce audience to the theme of the series

 

Numbers reviewed: 91 – 100

 

JERSEY JOE RECOMMENDS:

 

I hope you enjoyed the look at these first nine themes.  I had to disqualify one of my original picks, The Mary Tyler Moore Show.  It seems copies of this open have been taken down from YouTube over a copyright issue with the composer.  I’ve found many episodes uploaded to the site, but without the opening credits.

 

Kick back again with me next week when we take a look at numbers 81-99.  We’ll have girls in bikinis, a guy who can do anything with duct tape, and the theme song for a judge!

 

I don’t own any of the rights to these, nor did I upload them to YouTube.  This blog is presented for educational and informational purposes.

Image credit – James Vaughn

[Kicking Back with Jersey Joe] Does Anyone Pay Attention to Those TV Rating Icons?

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Recently, I posted a question on Twitter asking if anyone paid attention to those rating icons that appear on the corner of the screen during TV programs and promos in the United States…and nobody responded.  Do you?  Do you even know what they all mean?  With 44 different icons that are used, the system gets a little confusing.

 

The TV parental guidelines system was established by the United States Congress and went into effect on January 1, 1997.  The ratings were developed after concern about the amount of violence and sex on TV and how easy it was for children to watch.  Congress gave broadcasters a year to develop the system under an Act passed in 1996.  The ratings were created jointly by the National Association of Broadcasters, The National Cable & Telecommunications Association, and the Motion Picture Association of America.  The system was set up similar to the MPAA movie rating system.

TV PG letterman

A TV-PG rating icon appears during the opening of the Late Show with David Letterman.

Although the rating system is voluntary, most broadcast, cable, and pay TV networks jumped on board.  Several online services including Hulu, Netflix, ITunes store, and Google Play also use it.

 

When first created, all programming was classified under 6 general ratings:

 

tv y smallTV-Y kids programming not expected to frighten young kids.

 

tv y7 smallTV-Y7 designed for kids 7 and over, more comedic, and may have scenes that could be frightening to youngsters

 

tv g smallTV-G suitable for all ages

 

tv pg smallTV-PG may contain scenes that parents will not find suitable for younger children

 

tv 14 smallTV-14 not suitable for children under 14 years of age

 

tv ma smallTV-MA originally labeled as TV-M, basically sex and violence on TV

 

A fairly simple system that’s quite easy to understand and something similar is currently in use in Canada and several other foreign countries.  But, unfortunately that wasn’t good enough. And in August 1997, the powers that be in our government had to make it harder by adding 5 more subcategories:

 

The more advanced rating icon with subcategories.

The more advanced rating icon with subcategories.

D – suggestive dialogue

L – course language

S – sexual content

V- violence

FV – fantasy violence, only used in kids programming

 

These 5 subcategories appear under the main rating while the icon is displayed on screen.  (Only FV is used in kids programming.)  While the original system was just fine, the addition of these 5 subcategories makes it confusing to the viewer.  Does anybody really understand the difference between “suggestive dialogue” and “sexual content”?  Couldn’t they mean the same thing?  The system worked just fine with the 6 main categories.  They don’t use a ton of subcategories for movie trailers, right?

 

The simplified Canadian TV ratings system.

The simplified Canadian TV ratings system.

The guidelines affect all programming except news, sports, and commercials.

 

While most rating icons are similar in appearance to the original set issued in 1997, some networks have created their own font style, shape, and color although they retain the general feel of what was already established.

 

THE 411

 

What:  TV parental guidelines ratings system

 

Debut:  January 1, 1997

 

Number of different rating combinations: 44

 

JERSEY JOE RECOMMENDS:

 

A TV-PG icon appears at the beginning of this NBC promo for The Office.

A TV-PG L icon appears at the beginning of this NBC promo for The Office.

The six basic icons are good enough.  The six subcategories just add to the confusion.  If they were so needed, the MPAA would have required this system to be adapted to feature films shown on the big screen.  Even the video game rating system is simpler.

 

Ask your friends, parents, and neighbors – can anyone fully explain what the meaning of each of these?

 

Broadcasters also need to be aware of the first few minutes of a show and where appropriate placement on the screen is.  There are times, where large icons will cover up the action of a show.  There’s enough junk intruding on screen during a show, with the rating, the logo bug, twitter hash tag, and those giant animated lower third promos that overlap everything.

 

I agree, TV does need a rating system.  It’s great that the studios and networks have taken it upon themselves to warn parents about sex and violence that is showing up more and more on the airwaves.  While most broadcast networks, generally stay away from TV-MA shows, its good to have a system that will allow parents to block the shows or watch when the kids are away.  The system just needs to be simplified.  There are 44 different ratings icons in use today, wouldn’t 6 be easier to grasp?  Simple is better!

 

So, do the rating icons affect what you watch?

[California Seething] – Suck it, Sochi!

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I have a bone to pick with Johnny Weir (Phrasing!) Thanks to his fabulous fashions, surprisingly thoughtful commentary and GBFCal Seething- 022414-weir (Gay Best Friend) chemistry with Tara Lipinsky (as described brilliantly by Madame HR) I can no longer tolerate regular figure skating commentators. It’s like coffee- there was a time when I could swig back anything – diner coffee, deli coffee, office coffee that’s made from pre-measured packets ordered in bulk from Staples which sits in the carafe getting hot and crusty all day like cholent on Shabbos – and has roughly the same impact on my colon, I didn’t care, I didn’t even taste it. Then Starbucks came along and all of a sudden, coffee was like this beverage with flavor that I was actually supposed to enjoy and not just some toxic sugary spew I choked down my throat ten times a day to keep myself from falling into a permanent vegetative state during my data entry job (you laugh- but I had to sign a DNR before I took that job. When the guy before me dropped, they went through his pockets for change and sold his shoes. Yeay Non Profit sector!) I was ruined! I haven’t been able to drink office coffee since. Hell, now I don’t even drink Starbucks. It’s a single-origin, shade-grown, fair-trade, home-roasted, fresh-ground, filtered-water, manual-drip mug of perfection at just the right temperature or nothing. And if you think typing all those hyphens was hard- try making the coffee- it takes me like nine fucking hours to make one cup- it’s literally the only thing in my life I’m remotely a perfectionist about. I can sit in a pile of used tissues, with my shirt buttoned wrong, my beard out of control like a superstitious hockey player on a deep playoff run, and so much cream cheese on my pants it’s like I dry-humped my bagel instead of eating it- but if the roast on my goddamn Ethiopia Sidamo is wrong I just freak the fuck out like Johnny Weir with a broken Bedazzler.  And it’s the same thing with figure skating – I used to just ignore the commentary, but after a couple mornings of sparkling wit and sparkling tiaras with Weir and Lipiniski, the prime time commentators seem like Al Michaels and Cris Collinsworth in comparison and I DO NOT mean that as a compliment. I’m like a shark who’s developed a taste for human blood and now there’s no way I can go back to seals, especially when one of the seals is Sandra Bezic and she’s sitting next to Scott Hamilton spewing syrupy banalities like “she’s like a Cal Seething- 022414- primetimefigurine of a figure skater in a jewelry box but she’s so strong.” So….is that a good thing? Or a bad thing? Or….are you just super duper extra proud of the fact that you still have the exact same jewelry box that you did when you were a little girl with a Dorothy Hamil fixation and you’ve picked this particular moment to fucking humblebrag about it. And, sure, Scott Hamilton’s OK- like a 2nd favorite uncle that everyone knows is gay but no one’s allowed to say anything during those awkward moments at Thanksgiving when Nana says “So, Scotty, when are you give me some grandchildren?” which happen more and more frequently every year thanks to her creeping dementia and chronic alcoholism. And while Tom Hammond is doing remarkably well for a man who’s been completely drained of blood, all he ever does is tell us how long it’s been since random stuff happened in a really serious voice as though that’s supposed to add some fucking gravitas to the proceedings. “No Italian has won a medal in figure skating since 2002”, “This is the first time that US women have gone without a figure skating medal in consecutive Olympics since 1948”, “No American woman has touched the clammy, dead skin of my face without recoiling in horror and fleeing the room since 1986. Sigh. Hey, you guys want to hang out after the Ladies’ Final tonight? No? Oh. You got plans. That’s cool. No one has wanted to associate with me because of my unbearable personality and disturbing pallor since 2002. It gets so lonely. Sniff.”  Seriously dude, it’s like 80 degrees there- go to the ski slope and get a tan. You’re like one of those fish that lives its whole life in a cave and never sees the sun except those fish might have something interesting to say about ice skating.

Of course, Weir and Lipinski weren’t the only fabulous American pair on the ice – there were a couple of halfway decent Americans who were actually competing in the games. I’m speaking, of course, of ice dancers Meryl Davis and Charlie White. Now, usually, weCal Seething- 022414-daviswhite don’t get to see much ice dancing at the Olympics – but this year, by some totally crazy coincidence, NBC decided to show a lot more of it right when we had a couple of Americans competing for the gold. Weird, right? It’s like they were all “Fuck it. Ice Dancing. Why not? Wait- what we’ve got Americans that are good at this??? Reeeeaaaally? ! had no idea! What a coinkerdinker.” Not that I mind. I’d always rather watch something Americans are good at then watch Bjorn Olafson and Bjorn Erickson bjorning it out with each other over a 50,000 mile cross country race for the honor of blond people and a lifetime supply of reindeer meat. I’m actually proud of America for sucking at Cross Country. All that grim determination and grueling exertion- fuck that shit. That’s not the American way to win medals. No- the American way is to keep making up new crazy-ass flippy-flip snowboarding events that nobody else in the world knows how to do yet- and then, when other countries figure out how to do these events better than us, because they actually work hard and practice, we just come up with something newer and cooler and it’s like “Oh, you guys is Switzerland are still into halfpipe? That’s, like, soooo 1998. We’re all totally doing Slopestyle now.” And, you know what- that’s awesome! I mean, sure, we may not have the best conditioned athletes in the world,  and we steal all our winter sports ideas from Gleaming the Cube– but, hey- if you give a big pile of snow to a bunch of Americans, Cal Seething- 022414- gleamingwe’ll get stoned as shit and figure out how many times we can flip around in the air and we’ll call it a YOLO McTwist 420. Give snow to a bunch of Norwegians- and they’ll go very slowly in a straight line until they die. Which country would you rather be from? Now wait- don’t base your answer on quality of life, education, culture, economic stability or healthcare- just stick to winter sports coolness.

So, yeah- it’s fine to suck at Cross Country- but- I do have to admit I was a little disappointed by our Biathalon results. I mean- we’re the gun craziest country on earth- how can we be so bad at shooting? Is it just that Americans aren’t used to this type of target shooting? Would we do better if they put little hoodies on the targets? Or – maybe instead of a rifle range, we could do our shooting in a school cafeteria?

The Russians, on the other hand, are great at Biathalon, but that’s cause skiing and shooting is how they hunt gays.

The worst part about the Biathalon is that, if you screw up at shooting, you have to ski a penalty lap. That’s how much Cross Country sucks- the worst way they could think of to punish bad shooters was to make them do more Cross Country skiing. That would never work with Half Pipe- snowboarders would be missing shots on purpose. “Ooops, 0 for 5. Oh, shuckey-darn. I guess it’s 5 more runs for meeeeeeeeeeeee!!!!!” But Cross Country- that’s how Norwegian parents make their kids eat their vegetables “Finish all your Brussels sprouts, Bjorn, or it’s an extra 10,000 meters before bedtime.”

Anyhow, like I was saying about Meryl Davis and Charlie White….at some point earlier today I’m sure, they dominated the Ice Dancing competition and, in the process, they reminded all of us Americans that we are so are so pathetically desperate to soak up Olympic glory that we’re even willing to learn what a “twizzle” is and why we should give a fuck what a good one looks like. We’re the ones making the real sacrifices here. Also, and I’m not ashamed to admit this, I have a total hair crush on Charlie White. The downy Wonder Bread cloud of golden curls softly flouncing about, a little bit shaggy and totally loveable like an adorable, welCal Seething- 022414- whitel           groomed sheepdog- that’s exactly what I had in mind when I grew my hair out for the first time at 15 into a pumpernickel black, unwieldy, steel wool Jew-Fro like a crackhead’s poodle.  And that would be the best my hair would get. By the time I was in my mid-20’s my hairline had already entered the Great Recession and the time had come to give up and cut it short for good. So, for me, the American Ice Dancing triumph was about more than patriotism or athletic achievement- it was about basking vicariously in the Gold Medal glow of Charlie White’s golden locks and remembering the shadows of my own Olympic caliber fantasies of fabulous hair. Because, you see, for those of us that are follicularly challenged- there are no Paralympics- so we must watch as Charlie White lives the dream for us all in Sochi, and think of what might have been….

While White and Davis fulfilled their Olympic dreams, many of the highly vaunted American athletes did not. There was Shaun White who failed to medal much to the smirking delight of every single snowboarder because they naturally hate him for all the attention, funding and opportunities he brought to their sport and also because he’s this enormous douche. Lindsey Jacobellis did a masterful impression of Llewyn Davis when she totally sabotaged her chances for success by falling in the semi-finals with a clearCal Seething- 022414-womenhockey lead for the third Olympics in a row. The U.S. Men’s Hockey team beat Russia in an early round game and gave Al Michaels a throbbing 1980 Cold War Nostalgia erection that lasted right up until they lost to Canada in the semi’s and were Finnish-ed off in the Bronze medal game. And the U.S. Women’s Hockey Team lost to Canada in heart-breaking fashion and wept so copiously as they received the Silver Medal that their coach seriously regretted joking “hey, you lose this one, you’re staying in Sochi”.

But of course, the biggest US failure was the Speed Skating Team which medaled in only one of the bazillion events they competed in. The real surprise, to me, though isn’t that we suck at Speed Skating- it’s that we were supposed to be good in the first place. I mean, I always figured that Speed Skating was one of those crazy-freaky things that’s super-important in the rest of the world but is just kind of a weird novelty here like soccer or hazelnut spread or learning science and math. It turns out we were actually coming into the Olympics favored to win a bunch of medals and ended up totally humiliating ourselves. U-S-A! Most people blamed the new Under Armour suits that the skaters wore during the Games- though they kept on losing when they switched back to their old suits….which were also made by Under Armour….so….maybe they sucked, too. In response to these Cal Seething- 022414- speedskateconcerns, the US Speedskating Association took immediate and decisive action and renewed their sponsorship contract with Under Armour for another eight years. That’ll learn ‘em! 2026 is gonna be our year! Never underestimate the power of greed to triumph over the Olympic spirit. For those that don’t get why this big contract seems foolish- just substitute “Jerry Jones” for “U.S. Speedskating Association” and “Tony Romo” for “Under Armour”. And if you still aren’t sure what I’m talking about, just think about how you felt in 2004 when we re-elected George Bush and you’ll know exactly what our Speedskaters are going through. And, yes- I am getting all worked up about Speed Skating – you got a problem with that? Winter sports to me are like Judaism and politics- I fast on Yom Kippur, vote in Presidential Elections and give a fuck about Speed Skating during the Winter Olympics. So long, Speedsuckers! Have fun with your Loser Suits. See you in 2018 in South Korea. I hope President Clinton can come to the Games!

So, yeah, the Olympics were kind of a bust for the American team- but not all hope is lost. On March 7, the Paralympics begin and, thanks to Iraq and Afghanistan, the U.S. has loads of great new Paralympians just itching to work off their PTSD on the slopes and rinks of Sochi and not on their long suffering loved ones.  Thanks, George Bush! U-S-A! U-S-A!

And that brings us to the Closing Ceremonies. The theme of the Closing Ceremonies was “a buncha people making stupid shapes on the ground and shit” Cal Seething- 022414- shapeswhich was also the same as the Opening Ceremony and the last Opening Ceremony and every Ceremony at every Olympics since they figured out how to film stuff from above (fuck you, too Busby Berkeley.) Seriously- I get it- volunteer slave labor making circles. Whoopidie-doo. But according to the organizers, the Closing Ceremonies were a tribute to Russian art, culture & literature. I meant to come up with all sorts of witty things to say about the Ceremonies, but I fell asleep, which, as far as I’m concerned, is the best way to pay tribute to Russian art, culture and literature. I did notice that many of the writers who were honored during the Ceremonies had been persecuted during their lifetimes and this got me super-psyched for the Pussy Riot Tribute Concert at the 2042 St. Petersburg Games.

As if Russian art, culture and literature weren’t bad enough- Al Michaels and Cris Collinsworth were brought in to comment on the proceedings. It’s like NBC was saying “Hey loyal viewers- we want to thank for sticking with us all the way to the end of the crazy Cal Seething- 022414-almikeOlympic ride. So as a very special treat, why don’t you all go fuck yourselves?” I mean, seriously, NBC- why you gotta play me like that? Didn’t I stick with you through all of those goddamn Cadillac commercials with the asshole who talks about how Americans are sooooo great because we don’t take enough vacation time (like that’s really our fucking choice) and how we’re the ONLY ones going back up to the moon- even though we can’t afford the gas money to go there on a  Russian rocket? And didn’t I stick with you when you showed that fucking documentary about that Russian orphan swimmer girl with no legs who was adopted by a loving American family in the Baltimore suburbs and came back to Russia to meet her biological family only to realize just how UNBELIEVABLY FUCKING AMAZING LIVING IN THE SUBURBS OF BALTIMORE ACTUALLY IS? And didn’t I stick with you when you kept trying over and over and over and over again to convince me that Living with Fisher would be funny because it’s about a blind guy- when we all know that a rose by any other name would smell as sweet and an enormous hunk of shit about a blind guy is still just AN ENORMOUS HUNK OF SHIT . Well, didn’t I???? And after 18 grueling emotional days together through ups and downs, triumph and defeat, good times and bad, Costas and Lauer- you give me the Michaels and Collinsworth on the final night??? Laurel and Hardly?? Tweedledee and Tweedeldipshit? I mean, I get it – I know all the good commentators got the hell out of Sochi just as fast as their little legs could carry them, and so you were totally relieved when you found Al Michaels still in Sochi, lying face down on the ice of the hockey rink in a pool of Stoli vomit and half-digested Qualuudes wearing nothing but a dickey yelling “I DON’T BELIEVE IN MIRACLES” with Cris Collinsworth sitting on the ice smiling brainlessly next to him saying “Yes, It sure has been one heck of an Olympics, Al.” so you dragged them over to the Fisht Stadium (Wait, are we not even saying “Phrasing” any more?) sat them down with Vladimir Posner who dropped such bon mots as “every country is special in its own way” which is also what he tells his autistic son when he takes all the other kids to Disneyland and subjected your loyal viewers to three hours of misery, boredom, suffering and torture. And it that doesn’t say “ a tribute Russian art, culture and literature”- I don’t know what does? Well done, NBC!

Oh yeah, there was also that enormous bear that blew out the cauldron before shedding a single tear just like Russian orphans do Cal Seething-022414-bearon their birthday when they make a wish to go to America- only much much more disturbing that that. More disturbing even than the no legged swimmer girl.

So, here I am. The Olympics are over. After two glorious weeks of avoiding reality with high flying Olympic competition, it’s time to come back down to earth and avoid reality using regular television – which is not nearly as fun. I’m watching Speed for God’s sake- which is like Gravity on the bus. And, sure, it’s the best movie ever made about the perils of public transport in Los Angeles that wasn’t produced by concerned parents in Beverly Hills (if you haven’t seen this-watch it now) but it can’t compare to the glorious bubble of unreality that can only be experienced by obsessively watching a long running athletic tournament at all hours of the day and night. Between Kiev, Venezuela and Arizona (Jan Brewer only vetoed that bill because there’s no religious objection to serving Mexicans) all I can say is- MARCH MADNESS IS ONLY THREE WEEKS AWAY! Thank fucking God. I was this close to knowing what’s going on in the world. Phew!