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[Images from the Id] Of Monkeys , Apes and Men

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Images from the Id – Of Monkeys , Apes and Men

There are many types of monkeys. Some are important some are not. Some are big others are small. Some are psychological some are zoological (please pronounce that correctly with a “long o“ and not like in “you”,  although both are becoming but being a “Zoo – long-o-logy” major I was chewed out once for that. The place “Zoo” is different.) The physiological ones have again taken their toll. It is always sad when the monkey of drug abuse takes another person who is significant to our world. The creative artist is always under the pressure of his/her calling. Because their talent requires so much of them and their soul it seems they have a greater tendency to have the addiction, or is it just because they are more visible to the public and our attention is  centered on them. It is with great sadness when we lose another  of these artists who’s work we have much enjoyed and honored.

In biology there is something called Evolution. Some people think it should be debated and compared to the “Biblical” origins of species (different forms of life). The debate is totally unintelligent  and valueless. First, which creation story of the Bible do you argue? There are at least two and they are different. Second, like any well proven and demonstrated theory of science, Evolution has always changed to take in account any new discoveries that have been made. Enough said for their source. It is of interest that the theory of Darwin is not the same as the modern concept. In fact, giving Darwin the credit is totally wrong. Even in Darwin’s time, Alfred Russell  Wallace working half way around the world simultaneously and independently came up with a theory almost identical to Darwin’s. Even they weren’t the first. The Creationists disregard the work of Thomas Malthus’ on population sizes, reproductive rates and predation and Charles Lylle’s works on Geology time.  Comparing the creation myths of various cultures you find no such agreement or common sources.

A while back Bill Nye, the Science Guy, met  Ken Ham the founder of the Creation Museum in Petersburg, Kentucky to debate, in front of  a sold-out audience, concerning whether or not the Earth is 6,000 or so years old. You’re kidding me! It would be more significant to debate whether toads cause warts. With toads there  “might be” at least some substantiation for both sides. A debate of Evolution only tends to legitimatize  a totally unsupportable position. It has always seemed strange to me how people can firmly believe that a television actually produces a picture and sound when the theories and science behind that has less proof than evolution.

Old Man-001Old Man of the Forrest –

This image was taken at the Albuquerque New Mexico Zoo the original Metadata 1/2000 sec, ISO 1600, f 5.6, Aperture priority 400/600mm. I probably should have decreased the shutter speed to 1/500 and the ISO to 400 but I was concerned with handholding that lens and it wasn’t a bright day.

Old Man of the Forrest

Old Man of the Forrest Print

The Print was processed in Adobe Lightroom 5.3 using Topaz plugins, Topaz PhotofxLab allows layering and doing a Pastel layer using Simplify Plugin and giving it a 36% opacity and a normal bend mode. The eyes were masked from the pastel layer to bring back their sharpness and exposure. The from Lightroom a 11X14 print was made. It won a second place in its first competition.

[Images from the Id] – “The Day the Music Died”

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To Everything,Turn, Turn,Turn, There Is a Season...

To Everything,Turn, Turn,Turn, There Is a Season…

Images from the Id – “The Day the Music Died”

“A long, long time ago” Don McLean sang about the deaths (February 3, 1959) of Buddy Holly, Richie Valens and J. P. Richardson. As significant and tragic this was to rock and roll and its future, the event’s contributions to our present society should be weighed in a different perspective.  Now 55 years later (January 27, 2014), a more significant but less popularized death occurred.

Even those of you who know me might be surprised to know that for many years I have played the guitar, banjo, ukulele and various other “folk” instruments. Through my college years I performed as a folk singer. Pete Seeger was the leader of an informal but significant group of performers who combined entertainment with a socially significant conscience. Pete’s causes were/are my causes. Civil rights, environmental action, antiwar, social justice to name a few. This meant he made enemies and many attempts were made to silence him. He was called a “commie” and various other names. He was persecuted and unsuccessfully censored. His music became classic. “Turn, Turn” (the Biblical statement of man’s place in the Universe), “Where Have All the Flowers Gone” (anti-war) and the folk song “We Shall Overcome” was adapted by Pete to become the anthem for civil rights movement. These are just a few. The songs had a message.

Now he’s gone. I will miss him. It’s too bad but the country has entered an era of just the opposite values. Greed and accumulating wealth have out weighed the truth of the Universe. Man is just one small part of the way things really work and when we lose this understanding humanity is doomed. I heard this morning that the House of Representatives passed a bill which would divert water to the drought parched farm lands of California, destroying the coastal ecosystems of the state. “When Will They Ever Learn, When Will They Ever Learn?”. Seems the message is being lost, Pete’s gone. Continued suppression of same sex marriage and partnerships, Pete’s gone. Continued government attacks on the poor, Pete’s gone. There are far to many examples. His voice, the voice of many has vanished.

So what has this to do with photography? The strongest photograph tells a story, has a cause, has emotion. The difference between a “snapshot” and a worthy, if artistic image is what it tells the viewer. I challenge you to find and record images which cause people to react with emotion and tell your story. Photojournalism should represent the facts and record the history of events. Sad to say it sometime twists it. Your photograph should reflect what you feel, how you think and your vision of the world. I don’t care what your story or cause is tell in your photographs.

Today’s Photograph –

“To every thing there is a season, and a time to every purpose under the heaven:
A time to be born, and a time to die; a time to plant, a time to reap that which is planted;
A time to kill, and a time to heal; a time to break down, and a time to build up;
A time to weep, and a time to laugh; a time to mourn, and a time to dance;
A time to cast away stones, and a time to gather stones together; a time to embrace, and a time to refrain from embracing;
A time to get, and a time to lose; a time to keep, and a time to cast away;
A time to rend, and a time to sew; a time to keep silence, and a time to speak;
A time to love, and a time to hate; a time of war, and a time of peace.”

Pete Added ” I swear it’s not too late.” to the end and phrase and title  “Turn! Turn! Turn!”

A backyard Sharp-shinned Hawk and Starling, 1/1500 sec, f6.7 iso, 800 400(600) mm, and +1/2 ev overexposure, processed in Lightroom 5.3

 

[Images from the Id] – The Digital or Film or Why Is There a Fuss.

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Parade

Parade

Not to long ago, there was a major controversy with all levels of photographers as the transition from film photography to digital occurred. At the time, there was some advantage to one or the other. So let’s look at the controversy

Film photography involves the quality of image, the picture taking process (more on that later) and…Gee I can’t think of anything else. Maybe you get the idea where I am coming from. Actually, I have several friends which still shoot film and I know of professionals who’s portfolio is composed of black and white monochrome images and they take pride in the fact that the images were produced in the film darkroom. Clues to this process includes the statement there the print is a “Gelatin Silver Emulsion”. You may also notice this in museum displays. This means the print was processed from film using film paper, both of which use silver salts to produce the image. The process can produce stunning black and white prints which are difficult to equal with digital processing. Artists can use the same process for other proposes but let’s stick to photography. The automatic processing of film meant that unless you had a darkroom to do your own processing someone’s computerized processing unit decided on what your photo looked like. Some of us resorted to converting the upstairs bathroom into a darkroom when needed. Anyone want a portable darkroom? Because of the cost of processing film and the time it took, photographers were much more careful about each shot and learned to get the basics- composition and exposure, correct in one or two tries. Color slides were fun because there were no automatic adjustments made in processing. Being a Chemistry teacher, at the time, I enjoyed developing them in the kitchen sink and that was not too difficult. Speaking of Chemistry, the example of photography was an excellent teaching tool.

Digital photography has revolutionized the profession and hobby. Anyone can become an exceptional photographer with some education and effort. The image files, if done correctly, can give a great range of results. Less time is spent in processing and it can be as simple and automated as the photographer wants. Where the majority of time was spent in the darkroom now, by the choice of most of us, we spend more time taking the images. The expense has shifted to how much is spent on software and digital printing instead of film, enlargers, chemicals and paper. Is there any reason to take film?

 

[Images from the Id] – Close Encounters of the Moose Kind Part 3

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 Elk-001

Images from the Id – Close Encounters of the Moose Kind Part 3 or So What is Wrong with this Picture?

In a span of two summers, I was able to get about 300 shots of moose. Most of the images I could not have gotten in any other place and most are quite nice. But… There are some problems that bother me and have tempered my enthusiasm for wildlife photography. I was trained as a biologist and have always had a love for nature and wildlife and modern wildlife photography has become a competitive “sport”. In the days of film, a good portrait was a good wildlife shot. Now with digital and its advantages of high ISO, fast cameras and long lens along with the ability to shoot a very large number of images and keep the “best”, the results are lightyears better. Now the animal photographs must be active and showing behavior. Sometimes exceptional portraits will score but that is rare. At present when the photographer wants to get that special shot, there is a major competition in the very act of shooting the “shot”, For example, in the moose shots, the first time I went to the site there were 9 moose and 3 photographers within two months there were the same moose but 15 photographers. Shooting the elk rut in Rocky Mountain National Park, about 50+ photographers of various levels. Because of the ability to communicate (social media etc.) along with increasing population of photographers and increased access demand, everyone knows where to go. Apache Bosque in New Mexico attracts millions of migratory birds each winter and thousands of photographers. Arguably, this can effect the lives of the animals. Probably not so much the birds at Apache Bosque because they are so far away but in many cases the proximity of the photographers have changed the behavior of the animals. Moose and Elk are losing their fear of man and man is losing the fear of the animal. It is becoming hard for some to think of the animal as wild. Many people are getting much to close for safety. The poor Park Rangers are going nuts trying to enforce Park rules which are for the protection of both people and animals. It is very hard not to do something dangerous when everyone else is. Environmentalist and conservationists claim that one of the worst practices has become the baiting of animals and birds, most notably the Snowy Owl with mice. There is definite proof that this adversely effects the behavior and survival of the owls and many locations have outlawed it but it is still practiced. The video is an example of the moose getting to close to the photographer not visa versa. The photographer, my wife, had little choice.  

This week’s image is a rutting bull elk at Rocky Mountain National Park last October. The shot is a result of experience and knowledge of the behavior of the animal. I was in a group of 5 photographers using a car for protection “just in case”. I predicted the place where he would appear and location of the bull on a hill above us. I also was ready for his charge back to his harem. Metadata – 1/100 sec, ISO 200 f-13, 400 mm (600 effective) Processed in Adobe Lightroom 5

[Images from the Id] Encounters of the Moose Kind Part 2 or Exposure and Dynamic range

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Images from the Id – Close Encounters of the Moose Kind Part 2 or Exposure and Dynamic Range

It's All in the Light

It’s All in the Light

Success at any wildlife shoot involves preparation and practice. You must know your equipment and be ready to put all of that knowledge into rapid use. Practice involves shooting frame after frame of non-interesting subjects. In my case, a lot of gulls and what birders call white-faced geese, most of which are Canada Geese. Ok, so some of those images have done well and even won awards but it can be great practice. In the case of these moose, the skills needed were quite simple. It’s important to take a lot of shots searching for the perfect image. Getting the camera adjustments correct the first time in difficult lighting and fast shooting conditions- that takes practice.

A modern camera doesn’t necessarily  get the exposure of a dark moose on the lighter background of the sky or water correct. Learn to set your camera for the result you want in the end. A pro shoots in manual so quick changes in exposure can be made based upon experience and comparing that with the camera’s choice. The learning curve is high but once learned the results can be quick and accurate. You can start by using the Exposure Compensation button on the camera and using it to raise or lower the choice of the camera. Practice before you need it. Use it to over expose dark subjects on light bright backgrounds such as birds flying across the sky. Or to under expose light subjects on dark background. The camera wants to average everything to neutral gray. Another place you may want to increase the exposure is in snow. Cameras generally like snow gray and not white.

I remind you. Shot in RAW. Shooting images in RAW format does require a little more processing in the end and a little more disc space for the larger files and most of the time they don’t look as good as the jpg file but having a RAW file, increases your ability to adjust the image to a much greater extent especially in the White Balance, and Dynamic Range (which is the detail in the light and dark areas of the image). In the case of my cover image this week having the RAW image made all of the difference between getting a usable image and being limited to a limited result. The biggest problem with shooting jpg is you will never know what you have lost. I cannot accept that limitation- just shoot RAW and get a bigger hard drive, they are actually pretty cheap. By the way, some cameras allow you to shoot both Raw and jpg simultaneously. Don’t waste time and file space by shooting both, there is no advantage in that.

The story of the image: I had crossed the road to the willows surrounding the lake on our second trip. It was about 7:30 in the morning and sun was low in the East. Moose were everywhere. I counted nine sets of antlers above the low brush. The adreniline peaked and anticipation drove us into the willows. There were no cows. As it turns out that was probably a significant factor along with it being mid-August contributing to their being docile. This meant moose hormones were at a low. The antlers were in late velvet and they would be shed during the rut in the fall. The location was no longer a secret and the willows were filled with photographers. I headed for the lake, while my shooting partner (my wife) headed for high ground of one of the low hills in the brush.  Approaching the lake, I saw a  moose drinking and a photographer shooting. First thought, why am I always 5 seconds late?  Ok, that’s not always true because I do get more than my share of “the” shots but when you miss one, you still think that. I had no time to think and adjust for exposure. The moose was to the East and the sun was to the East. It was  all wrong  for my setup and no time to correct, the moose had already raised his head. I Had both the D300 and D5100 prepared and had the 18-200 mm lens on the D300. Effectively a 300 mm. (remember DX?) Distance was no problem but the light was another story. I got off one shot with the D300 before the composition was gone.

Turns out the camera settings were way off ISO 800, no need for that speed. Exposure compensation -2/3, What in the hell was it doing set less and not more for shadow detail? A lesson learned. Shutter speed 1/8000 sec. no need for that speed either. Aperture f-5.6, how far off can you get?    This combination is way out of whack for the situation. If I could have the time I would have done: ISO 200 (less noise), Exposure compensation +1 (for the shadows), shutter speed about 1/500 sec, aperture f-8 (a sharper choice) and a quick look at the histogram. It’s too late when it’s over. (that sounds just like a Yogi-ism).

So what did I get, a great silhouette. It took a little work in Lightroom and Photoshop to bring out the color in the background and emphasize the glow of the velvet around the antlers. I like it a lot but… Next week; Close Encounters of the Moose Kind Part 3 or So What is Wrong with this Picture?

[Images from the Id] – Setting Goals and Making Them

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Solvang CA

Solvang CA

There is a difference between looking for trouble and it finding you. Photography can be the same but it is, in this case better to look for it. Set a goal and go for it. Even a vacation can prove to a photo opportunity. A few years ago, We planned a trip to Solvang California. Solvang is a beautiful town with a strong Danish heritage. The area’s main draw is the numerous excellent wineries in the area and that was what brought us. I have seen and photographed many Black-Billed Magpies where I live but in Central California there are Yellow-Billed Magpies- for me a maybe one time added attraction. The result, while speeding down the road between wineries, I spotted my secondary goal. This required a 400 mm lens and a fast shutter speed.

St. Augustine FL

St. Augustine FL

Other goals can be carefully planned. My last trip to Florida, I set a major goal of finding and photographing the Roseate Spoonbill. Before I left I researched their locations and when I got to Florida I asked locals where the best locations would be. I went prepared.  Surprise, the best location was the St. Augustine Alligator Farm Zoological Park. A fantastic location to be close to nesting birds including Wood Storks, Great Egret, Snowy Egret, and our Roseate Spoonbill.

Another good choice on that trip was Merritt Island. Be sure to check with locals at the Nature Center, some great surprises are possible.

Shooting birds at any location require a high shutter speed which in turn may mean higher ISO depending upon the light available. The longer lenses and a steady tripod if possible improve their results greatly.

Image Information

Yellow-billed Magpie – 300 mm f-8 1/350 sec ISO 400

Roseate Spoonbill – 400 mm f-5.6 1/1250 sec ISO 200

 

 

 

 

[Images from the Id] – Sanity and Intellect and the New Year

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Canada Goose

Canada Goose

The psyche of the photographer can be a great challenge for himself or those around him, at least for this photographer.

I really pity those who live or work close to me. Every few years or so I have to try something new. To simplify the logic of this, let’s call these “lives”. I had many more than a cat. The photography life has lasted much longer, 30 years, than most. A tribute to its versatility.

For examples, playing the banjo. About seven or eight years ago, as we walked through a music store, my wife commented, how fun it would be to play the banjo. Now one thing you need to realize, my wife is into music, teaching performing for many years. I am into music too, which another part of this discussion (attention span?) It is among the “thousands” of lives I have lived. To get on with it, within a week I had a banjo and was into Bluegrass music. The first of seven banjos. Because of a previous life of playing a mediocre but pretty advanced guitar, within a few weeks I was playing a decent Five String banjo and jamming with intermediate players. Most of my family made every attempt to discourage anything to do with Bluegrass Music. My son, the classical guitarist, would give me one of those smirky smiles and at least mentally head for the door. My wife’s usual approach to was to encourage me and hope that it didn’t destroy my finances or in this case damage her ears. She never pushed me to the garage which many wives do. Several things came from this obsession. First, an expensive collection of banjos. More on that later. Second, a feud with a very famous 5-string picker who just before giving me an Outstanding Jam Picker Award publicly embarrassed me because of my sinus problem which to him him was public nose “picking”. My feelings lean toward the old adage “walk a mile in his shoes” but in this case it has more to do with sinuses. non-sufferers will never understand.  Third was an arthritic right thumb. Bluegrass requires a lot of power. Fourth, an appreciation of participation. Bluegrass is popular because anyone can play it and just about everyone who listens to it does play it. Fifth, you lose money when you trade banjos for camera lenses.

I still love the twang of the strings and the rhythm but I again found my old flame the camera. I love the sound of the click of the shutter. I like the result and producing something myself and others can call art. I like the recognition of the awards and producing something other actually say they like.

So here’s Some New Years Resolutions for you to consider.

Try to use the controls on your camera- Get off Automatic – Keep the beat

Do not give anyone a picture with a bad white balance – Tune the banjo

Make something common look uncommon –  Listen to Béla Fleck

Work harder to get better results – There are many pickers but few Earl Scruggs.

JOIN a local photography club and compete – Jam sessions are fun and teach faster than sitting around

 

[Images from the Id] – Holiday Lights

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Holiday Tree

Holiday Tree

Sometimes common sense should take precedence but our perception of what is common sense should be based upon success. Figure that one out. I guess the secret is to learn from others and use that in our own lives. To be successful in photography or if you just want to get better at photography, work at it. I have given you the basics of exposure that’s first step. Now to be specific let’s learn how to:

Photograph Holiday Lights- Holiday lighting consists of little bright dots in a sea of black. The automatic camera wants to see this as a neutral exposure with the average as gray. The camera will want a balanced histogram but this is one case where it needs to be weighted to the left to keep the darks dark. You probably don’t want the camera to make that choice for you.

First Rule of Lighting – Learn to use the exposure override adjustment. This is usually a button marked +/- on good cameras. Learn to adjust it quickly and easily. Practice. If my rule numbers seem confused don’t worry I don’t try to keep them straight.

Second Rule – Use a tripod and remote release such as a cable release, because you will be varying the exposure through a wide range and it makes it possible to use a low ISO for quality.

Third Rule – Take your time. You will want to experiment with different exposures and some other ideas we will discuss later. Take the time to try different thing out of your box. DON’T go with someone who is in a hurry to get through.

Fourth Rule – Shoot RAW

Fifth Rule – In this situation use the LCD to see the exposure not the histogram.

Sixth Rule – Dress warm. I found fingerless gloves for about $4

I will give the exposure information for these examples and some antidotes.

Auto matic Exposure

Automatic Exposure

Number 1 is at ISO 100 f-4.5 and 4.0 sec. This simulates where the camera would set the exposure.

Lower Exposure

Lower Exposure

Number 2 is ISO 100 f-16 and 4.0 sec.  Same shot but I like just a little bit of the grass showing. You could make the grass disappear by a little less exposure. This is a minus 2 f-stop reduction in exposure other words  1/4 of the light.

Blue Tree

Blue Tree

Number 3 is at ISO 100 f-16 and 1.0 sec. This is about minus 3 f-stops from the camera’s and needed very little software adjustment. It is 1/8 of the exposure the camera wants.

Snowman Effect

Snowman Effect

Number 4 is at ISO 400 f-22 and 0.7 sec This is a new experiment which has some promise. It was taken through the lens of one of those “glasses” the concessions sell. I had to keep the f-stop opening small because of the small size of the “filter”

The Title Shot is more advance but easy to attempt. It is an in-camera double exposure zooming during the second exposure. Each exposure was ISO 100, f-11 and 2.0 sec. One last thing – As you get better, start using the camera’s manual mode. Once learned this will actually become quicker and easier. It will be very surprising to you how many photographs need a tweaking of the exposure. From now on we will be looking at specific shoots and how to succeed.

[Images from the Id] – The Histogram

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Images from the Id – So why is everybody looking at the back of their camera?

The obvious answer is not necessarily the correct answer. Are they looking at the “picture”? Well, sort of. Advanced photographers may want to check the composition but they know, other than that, the LED screen doesn’t give much more. It can do much more when you understand what is important in the image you just took.  There is a setting, in almost all digital cameras, which can give the information use to judge the quality of the image.  This is called the histogram. The histogram is a graphic representation of the distribution of the tonal range of the image. This is nothing more than the distribution of light, dark and mid tones in the image, the contrast. This is important because it can tell you whether or not you have “clipped” any information from the image. This happened when the histogram graph is piled up on the extreme right (light side) or left (dark side). This means you have lost detail i.e.. information from that tonal range. Most of the time it is best not to clip detail because with the RAW file you have the ability to bring out that detail in the software. There is no such thing as the “perfect” histogram. The “Bell” curve doesn’t happen and actually there are time when you want to be tilted a little to the left or right. Example a snow scene should have more bright pixels, lean to the right, because snow is white not gray. That jack o lantern should be all dark and all light, nothing in the middle to just get the image of its face.

Next week – Putting it together or let’s see how it works

JACK 2-001