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Been & Going

Arriving to Verona in Style

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The Italian train system is difficult to fathom. I don’t pretend to know much more about it now than I did three months ago, except that: there are some trains that you need to reserve and some you don’t, the seat maps on the ticket machines look nothing like the actual seats configurations on the trains, don’t get on a crowded train 1 car down from your assigned car, it’s nearly impossible to purchase train tickets on the seemingly helpful (but actually not) trenitalia website, oh, and the same trip can cost you $50 one way and $15 back.

Our tickets from Venice to Verona were the only tickets we successfully bought before our arrival in Italy. It’s not necessary to buy train tickets ahead of time, especially in February, but you might be able to take advantage of the elusive “Amica” discounted fare if you do, and it’s a certain piece of mind to have the tickets purchased. Train stations in foreign countries can be chaotic intense places and I always believe in arming myself for such experiences with the most information I can. When I bought the train tickets online I noticed that the 1st class tickets were only a couple of euro more than the 2nd class, so I decided to go for it.

We felt a little ridiculous in our glass encased, blue suede covered 1st class train compartment on the way to Verona. We tried to look like we fit in with the Italian business people that shared the compartment with us. We didn’t though. Have I mentioned my Italians as sharks analogy? I’ve noticed that Italians need to talk like sharks need to swim, if they stop they’ll die. Fortunately the two women sitting next to us kept their voices down, but you have to admire the sheer uninterrupted stream of conversation they were able to maintain for the 90 minute trip.

Arriving in a new city is disorientating, Verona was no exception. It took us a while to figure out where to buy the bus ticket to get us into the city center. Rick Steves made it look so easy. But we found it (the Tobacconist-duh!) and we packed into a stuffed bus and tried not to fall over into any unsuspecting Veronese’s lap. Everything worked out, we found our hotel which was, to our delight, outfitted with a tub and we hit the streets.

My first impressions of Verona were the beauty of the buildings. I’m a sucker for the details on architecture- wrought iron, frescoes, pretty windows with shutters. Verona had it all and you’ll see as you go through all my Verona pictures that I had a hard time discriminating when it came to documenting the sights.

The best way to view the pictures (in my opinion) is to click on the first one which opens a larger view, then click Next in that new window. This way you can also read the captions.

Another morning on the Grand Canal

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 We spent a lot of time on vaporetti on the canal. It is a great thing to do, especially when your feet start to hurt and you paid for that vaporetto pass. Not only are there all the palazzi, but there is the life of the canal: the old guys in the rowing club all wearing matching green and white striped warm-up suits standing in a gondola and rowing in a slow jerky rhythm, the UPS boat, the water taxis with their drivers in leather jackets talking on their cell phones. Personally I like the palazzi, the little details, how like snowflakes each one is different.

Monday morning we took the vaporetto down to San Marco again. We had a date with a Doge. We braved the cold and sat on the back deck. I tried to take pictures of the other side of the canal this morning, but my eyes were everywhere. We also tried identifying some of the palazzo we saw, nearly impossible–who wants to look at pictures in a guidebook when everything is laid out in front of you? I’ve gone back since and tried to identify the pictures.

One of my best pictures ruined by scaffolding is in this group. I had read a few weeks before our trip that Salute would be covered in scaffolding this winter and at the time I’d hoped that maybe we’d miss it. Oh well, scaffolding is a fact of life when you travel in Europe, especially when you travel in the winter. I understand that cities want to look their best in the summer when most of the tourists arrive. As a winter traveler, and hater of hordes, I suppose I can’t have both my empty squares and my sparkling buildings scaffolding-free. Sigh.

The best way to view the pictures (in my opinion) is to click on the first one which opens a larger view, then click Next in that new window. This way you can also read the captions.

The trippy technicolor of Burano

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There are several islands in the lagoon surrounding Venice. You’ve probably heard of Murano, where the Venetians moved their glass factories in 1291 because they were afraid the massive furnances might cause a devastating fire on the main islands of Venice. We decided not to visit Murano, but instead head out to two of the furthest islands: Burano and Torcello.

Burano is a small island famous for two things, its lace and its brightly colored houses. Unfortunately, nowadays few continue making lace in the traditional manner and it is difficult to tell if the lace sold in all the shops lining the main drag is genuine Burano lace or lace made in Taiwan. However, the brightly colored houses are still there and government regulated.

Legend is that the women of Burano painted their houses bright colors so their fishermen husbands could see their house from the sea. Sitting on the back deck of the vaporetto, we turned a corner and could suddenly spot the vivid dots of color out in the distance. Burano has a sea-faring tradition, even the lace making is said to derive from the sewing of fishermen’s nets. The most famous restaurant Al Gatto Nero is known for its fresh fish.

We didn’t eat fish in Burano. Because we went to Torcello first, by the time we returned to the vivid streets of Burano we were famished. We settled for what became a common (and filling yet inexpensive) lunch: pizza. After lunch we wandered, got lost, and wandered some more. The island is small so it’s difficult to get too lost.

Burano is also a bonanza for quaint photographs. Tourists roam the streets in mirrored sunglasses with long zoom lenses like paparazzi stalking the fanciful houses as if they were Britney Spears. Me and my fellow tourists scouted for the best angle, the best color combination, the shot that no other camera has captured in the entire history of Burano. Some lay on the ground, some stood on bridges. The competition was intense. 

When we decided to leave, we ran into a group of loud Americans. Somehow they attracted the attention of an old crazy Italian guy who yelled at them in Italian while we all waited for the vaporetto to pick us up. It was amusing to watch them first try and take this guy seriously, and then try and ignore him. A young Italian woman took pity and told them he was just raving. So they laughed. The Americans seemed obnoxious to me only, I think, because I understood what they were saying. The more I travel the more I realize that tourists from any country are annoying, it’s just worse when you understand their words.

I enjoyed the trippy technicolor of Burano. Wandering the streets, trying to pick out your favorite color among the many was fun.

The best way to view the pictures (in my opinion) is to click on the first one which opens a larger view, then click Next in that new window. This way you can also read the captions.

Oh Frari, where art thou

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Frari (from the word Frati, meaning brothers) was the major landmark in our neighborhood. We were continually orienting ourselves by the enormous Gothic church- walking towards it, around it and behind it. We could see the bell tower from our window and hear the bells throughout the day.  Entering the cavernous space, I was drawn down the center aisle, past the neo-classical pyramid (originally designed by Canova as a tribute to Titian, later constructed by Canova’s students as his tomb) through the rood screen and the intricately carved stalls of the monk’s choir and towards Titian’s radiant painting Assumption of the Virgin. Framed by stained glass windows, the painting glows in shades of red and gold. As the afternoon sun gradually moved lower in the sky, the light through the windows continually changed the appearance of the painting- alternately revealing and concealing figures and details in the painting. The effect was paralyzingly beautiful, and I found myself standing in front of it watching it blaze with life still illuminated by the artist’s passion after almost 500 years.

There are other two other significant works of art in Frari- Donatello’s sculpture John the Baptist and Bellini’s painting Madonna Entombed with Saints. Both are great examples of the transition from the Gothic era’s flat symbolism to the humanism and perspective of the Renaissance. Seeing works from this era still hanging in their original context, exactly as envisioned by the artists gave me an appreciation for them that I have never gotten from even the best museums I’ve been to. Instead of racing through one track-lit sterile gallery after another, giving maybe 3o seconds to each painting, I could stand in one place, transfixed by a masterpiece as the cold afternoon outside turned to night.

The best way to view the pictures (in my opinion) is to click on the first one which opens a larger view, then click Next in that new window. This way you can also read the captions.

12 Years

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Hippocampus12 years ago today (give or take a couple of days) I was in Venice. It’s odd the things I remember. I’ve been reading this book, The Art of Travel, which I am enjoying very much, and he talks about how anticipation of a trip is similar to the memory of a trip. When we anticipate a trip we look forward to the Grand Canal, and the gondolas, the color of the sky. When we travel, it is almost jarring to have to deal with the normal details of life (he puts it so well when he says that when he planned the trip he hadn’t thought about how he had to bring himself along). When the trip becomes a memory, it is those same things that we anticipated that we remember, the details fade back behind the snapshots of palazzo’s and lion statues.

I’ve been trying really hard to remember Venice. This is what I remember: getting off the bus at Mestre in a daze. Thinking where the hell is this, this ugly little town that acts as Venice’s gateway. I looked down the street and saw the train station. I grabbed my rolling duffle bag and dragged it noisily down the sidewalk, leaving my fellow bus-riders to their own confusion. Before I had left London two weeks before, I had made reservations at Youth Hostels in many of cities I’d be visiting. Despite the lack of spontaneity and adventure or romance bravado or whatever you want to call it, I’m glad that I had a reservation (that I had already paid for) at the YHA in Venice because it forced me to pick up my bag and drag it down to the Mestre train station, buy a ticket for Santa Lucia and go. I remember getting off the train and coming out of Santa Lucia, but I don’t remember what I saw. I don’t remember my first sight of Venice, or my second or third. I know what Venice looks like but I don’t remember what it looks like. I went up to the vaporetto ticket both and asked for a ticket for Giudecca, the nice man corrected my pronunciation, I said “Oui” instead of “Si” and I felt like an idiot. I remember it was warmer than the Tyrolean town in the Austrian Alps where I had spent the night before. The hostel was empty and had just opened for the season. I shared my room with a young American lesbian couple studying in Rome. I remember riding the vaporettos, I remember thinking that the canals smelled, but I can’t remember what they smelled like. There are a very few things I remember distinctly:

  • The color of the sky,
  • Standing on the Rialto bridge at six thirty in the morning for hours watching delivery men making deliveries from their boats,
  • Little blown glass goldfish bowls in all the store windows,
  • Splurging for my first hot meal since I left London at the hostel cafeteria. I think it was Salisbury steak.

I don’t know where the rest of the details are, and I can’t remember when I lost them. Were they gone by the time my two days had expired and I boarded the bus for Rome? Was I so caught up in those prosaic details of survival on my own in a strange land that I forgot to look around and etch the beautiful memory of this city onto my hippocampus, to commit those snapshots to glossy magazine pages in my mind that I could leaf through in my old age? Maybe it was easier to remember that I was supposed to love this city than actually love this city. I remember Venice as beautiful but I don’t remember the beauty.

Maybe I’ve lost the memories since then. 12 years is a long time to hold on to memories. I tend to think that most of our memories are of memories, and those keep building on themselves until you come out with something that resembles an impression. Sure when you travel you bring with you all those boring details of life–yes you have to move your luggage around and find a public bathroom. And maybe that’s why I remember those things more, because I have more practice in that. Whatever the reason, or whenever or however the memories of my last trip to Venice have slipped under the surface of that murky canal that is my brain, I’ve stayed away too long and I should have renewed this subscription a long time ago.

The pictures on my wall

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Pictures on my wallIn true been and going style, on my office wall I have a picture of Paris and a picture of Venice. They are tacked right over my computer screen so and I often find my eyeballs drifting over to them during the course of the work day.

I’ve been to both and I’m going to both. Venice is planned and stuffed into the starting gate, ready to burst through in two weeks. Paris is more a lingering tug at my insides that never goes away. It’s not a dream that I’m going back to Paris, it will happen, I just don’t know when.

What draws my eye the most in both pictures is the sky. The sky in the Venice picture is not really purple, not really lavendar or violet, but somewhere muddled in the middle with a little bit of pink pushing through. When I think of Venice, I remember standing in Saint Mark’s Square staring at the Basilica as the sun went down and the sky was the most brilliant color of blue. I tried to take a picture but it was the last picture on my roll and it didn’t come out. Not that I believed I could capture that tone, that shade. The color of the sky in the picture on my wall doesn’t come close either, but I think about it. I’m going to stand in Saint Mark’s Square again until the sun goes down and I’m going to look at the sky. I don’t even need to write that on my to-do list.

Going…

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Venice. In 15 days. Planning has been difficult. Last year when we went to Paris I planned and researched and made lists. I don’t think we got to half of what was on my list. It had been a long time since I had been anywhere, so I had forgotten how sometimes when you go somewhere, it’s not always what you think it’s going to be. So you change your mind. And then your feet hurt.

Starry Sky Mosaic- Galla Palacidia, Ravenna Italy

Anyway, I spent the day yesterday trying to get some information on Ravenna. I’ve discovered that Italian tourist websites are big on description, little on practical information. We are going to Ravenna to see the mosaics. This will be one day of the three days we’ve carved out of the middle of our trip to see more than Venice. I’ve convinced myself that I’m a fan of mosaics so we’re going to Ravenna goddammit. Even if suddenly our itinerary exactly matches the Veneto episode of Rick Steve’s Europe. I didn’t do it on purpose.