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[Kicking Back with Jersey Joe] Jersey Joe Reads the News

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Jersey Joe takes a look at some of the weirder and funnier stories making recent news headlines.

THE 411

What: local news

Where: Eastern US / New York area

JERSEY JOE RECOMMENDS:

If you find any funny news headlines while surfing the web, send them to me @JerseyJoe50.

I decided to do this video blog as a test, if successful, I will continue to do more funny news headline episodes.  Hey, even Weekend Update on Saturday Night Live had to start somewhere!  Let me know what you think and if you want to see more…

[LIVE Kicking Back with Jersey Joe] Should Donald Trump Run for President?

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Do you think Donald Trump should run for president? Join Jersey Joe for an encore of his live show from a New York City restaurant, where he chats with diners to get their opinion.

 

[Kicking Back with Jersey Joe] Elevator Races

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Jersey Joe and his friend Simon embark on an elevator race at the World Trade Center PATH train station.  Place your bets — who do you think will win?

After being destroyed in the September 11, 2011 terrorist attacks, the World Trade Center PATH station reopened offering train service between New York City and Jersey City and Newark, New Jersey on November 23, 2003.  The second station was only to serve as a temporary station, utilizing the same design footprint and style as the original station.

Plans were quickly drawn up for a spectacular new station, that will serve as a tourist attraction and showplace of Lower Manhattan.  The new transit hub, currently under construction, will once again connect PATH trains with New York City subway trains, without commuters ever having to go upstairs into the elements.  Part of this new transit hub will include shops, restaurants, bars, news stands, and more for the thousands of commuters that will use this station on a daily basis.

The entire project is expected to open in 2015, but for now two small parts are open.  Those being a walkway that connects the PATH trains to Brookfield Place and ferries and Track 1, which serves commuters arriving and bound for Hoboken, New Jersey.  While work continues, all trains will often use this single track.

THE 411

What: World Trade Center Transportation Hub

Purpose: to connect PATH trains with New York City subway

Location: New York City

Open: PATH Track 1 trains from Hoboken to New York City

Open Since: 2014

Link to more information: http://www.wnyc.org/story/new-path-station-opens-world-trade-center/

JERSEY JOE RECOMMENDS:

It’s not often that you find two glass elevators like this back to back, where you can have a race!

What is open of the station, so far, is really spectacular, but WAY over budget.  I just hope that somehow, all of this money flying out of my pocket to ride the PATH and support this station’s reconstruction, will be worth it in the end.

{Kicking Back with Jersey Joe] Secret New York City Burger Bar

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It’s hidden smack in the middle of an upscale New York City hotel.  Walled off behind red curtains, you would never even know it’s there… except for the occasional celebrity sighting!  The Burger Joint has become one of the Big Apple’s best kept secrets and Jersey Joe had to give it a try!

THE 411

Name: The Burger Joint

What: hidden burger bar / restaurant

Location: Le Parker Meridien Hotel, New York City

Number of Locations: 4 globally

Website: http://www.burgerjointny.com/56thstreet.php

JERSEY JOE RECOMMENDS:

It’s definitely a neat place to visit and it’s cool to be in on a big New York City secret.  I just with that the burger I had ordered would not have been such a soggy mess.  Next time, I’ll go with a single cheeseburger and hold off on the works.

If you’re ever in the city, definitely check it out… just be advised – there’s never enough seats!

[Kicking Back with Jersey Joe] UFOs Over New York City and More!

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UFO’s over New York City? That’s not all!  Jersey Joe features 3 never before seen photos and videos of UFOs, including his close encounter over the Pennsylvania countryside.

THE 411

What: UFO

Stand for: Unidentified Flying Objects

Years spotted: 1998, 2012, 2013

JERSEY JOE RECOMMENDS:

I honestly have no idea what these flying crafts are, but I made sure to capture my 2 on camera.  With everyone having a smart phone now, there’s no reason not to take a quick shot when you see something out of the ordinary.  Then, you can upload it to Twitter or YouTube and share your story.  Who knows – maybe others have just seen the exact same thing!

[Kicking Back with Jersey Joe] Star Trek on Stage

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The cast of Star Trek: The Next Generation gathers for a panel discussion hosted by William Shatner at the Hammerstein Ballroom in New York City as part of the 2014 New York City Comic-con.  Jersey Joe was in attendance and offers his thoughts on how Star Trek convention are still so popular.

 

THE 411

What: cast of Star Trek: The Next Generation panel discussion

Where: Hammerstein Ballroom, New York City

Date: Friday, October 10, 2014

JERSEY JOE RECOMMENDS:

Would I ever check out another gathering of the cast? Absolutely!  I just wish that the talk had gone on for more than just 90 minutes.  Most of the people sitting around me, were a little shocked that it ended so abruptly.  Someday, I hope to travel to the big annual fan convention in Las Vegas and you can bet that I’ll be chatting all about it on here!

[Kicking Back with Jersey Joe] The Tragic Brooklyn Theater Fire

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Imagine sitting in a theater, enjoying a live performance one second, and then having to run for your life from fire and smoke the next.  Thankfully due to modern advances in fire technology and strict building codes, these types of experiences don’t happen that often.  But, almost a century and a half ago; a thousand theater goers in Brooklyn had their lives placed in jeopardy and sadly almost 300 of them didn’t make it out.

 

The Brooklyn Theater opened on October 2, 1871 near Washington and Johnson streets in Brooklyn, New York.  Being located close to ferries and mass transportation to Manhattan, the theater was able to bring in big name productions and actors, and featured packed houses on most nights.  One of the area’s most elegant and successful theaters, the design featured seating on three levels.  Each seating level was partitioned off from the others and featured their own separate entrances, so patrons could not socialize with or sneak into the lower levels with more expensive seats.  The parquet and parquet circle seating was on the ground level with seating for 600.  The dress circle, which also housed the second level balcony, had seating for 450.  The family circle, which featured the cheapest seats, was located on the third level with seating for 450 and had its own ticket booth.

 

Brooklyn Theater before the fire.

Brooklyn Theater before the fire.

On Tuesday, December 5, 1876, about a thousand theater goers were watching a live production of The Two Orphans, a French show, which was a popular show touring theaters at the time.  It was around 11pm and the play had paused for an intermission between the fourth and fifth acts.  The orchestra was playing and the curtain was down.  The cast had taken their positions.

 

As the curtain rose, the stage manager noticed a small fire off to the left side of the stage.  The fire was coming from a large drop curtain which contained a background image for another scene.  Part of the drop had become detached and touched one of the stage’s gas lights and was ignited.

 

Before electricity, theaters used gas lights to illuminate the stage.  Each gas light featured a screen that was designed to keep anything away from the flame.  Strict rules governed who could ignite the lights and everything was controlled at a gas table, which is similar to today’s light boards.  The table would feature valves that could be opened and closed to increase or lower the flames that would brighten or dim the lights.  The lights would be lit there by remote by causing a small spark from a flint (just like your gas stove).

 

The stage manager noticed the flame and called for stagehands to put it out.  While there was a fire hose and water buckets available, both were obscured by sets for Julius Caesar, that were stacked on the side of the stage waiting to be shipped out.  Nobody could get to the flames quickly enough and the fire grew.

 

The curtain goes up and the actors begin the scene, while the crew tried to stay off stage and battle the growing fire.  The actors spoke their lines and the crowd became aware of the situation as embers rained down on the stage as stagehands now began to beat the flames out with large poles.  It didn’t work.

 

The actors then fell out of character and tried to calm the crowd.  Many were already heading for the exits.  As the actors and even the stage manager took the stage to try and calm the panic, a large piece of flaming wood landed in front of one of the cast and it caused people to panic even more.

 

Some of the cast evacuated the stage and exited the side stage doors onto Johnson Street.  A few ran through a secret corridor that ran from their dressing rooms to the ticket office.  While two others, returned to their dressing room to grab their coats and became trapped as the flames quickly engulfed the stage.

 

The head usher tried to open the fire doors at the rear of the lower auditorium, but couldn’t as the doors were locked and rarely opened, leaving the lock was corroded.  Eventually, he was able to force the doors open and more people escaped.  However, this new inflow of air caused the flames to spread even faster, now out to the seating area.

 

The second floor patrons jammed their single staircase exit to a near halt.  There was a second exit on that level, but it too was locked and no one ever made it upstairs to open it.  Several people tried to escape that way, but were forced to turn around and head back to the crowd.

 

The 400 people that were seating in the third level family circle found themselves, not having to worry so much about the flames at first, but the thick black smoke that quickly filled their level.  They only had a single staircase as an exit that featured three stairways and a second floor landing.  The panicked crowd immediately jammed that stairs, with the smoke and flames right behind them.  Eventually, the gas lights in the hallway went out, leaving this exit a dark jammed mess.  People fell and many were trampled in the confusion, while those still at the top began to asphyxiate from the smoke.  More than half of the patrons sitting on this level succumbed to the smoke in a matter of minutes.

 

Brooklyn Theater after the fire and collapse.

Brooklyn Theater after the fire and collapse.

The Brooklyn fire company arrived at 11:26pm, but the flames were already out of control.  The chief decided to try and contain the fire and save the neighboring buildings, instead of just putting in out.  The fireman entered the lobby and assisted who they could to get out.  They entered the family circle stairs, but didn’t make it far as they stairs were filled with thick black smoke.  The auditorium was now fully engulfed in flames.  Those who were still inside never had a chance.  They did a quick check of the second level, where there were no signs of life.  Whoever had made it out in those few minutes were alive, the hundreds that did not … were gone.

 

At about 11:45, cracks began to form in the walls and the building collapsed causing the flames to grow even more.  The fire company was able to bring it under control by 3am.

 

The official report is that 278 people perished in the fire.  It is currently the third highest amount of fatalities among fire that have occurred in public buildings and theaters in the United States.

 

A 2013 Google Maps shot of the area, showing a very different Johnson Street and park.

A 2013 Google Maps shot of the area, showing a very different Johnson Street and park.

Today, nothing remains of the theater site.  Another performance house opened as well as a newspaper on the site, but the entire area was razed in the mid 20th century to create Cadman Plaza.  A monument in the park honors those lives lost.

 

Buildings today are constructed to much stricter codes that require fire doors to remain unlocked, add plentiful fire hoses, hydrants, and alarms.  I was once seeing a movie at The Waterfront in Pittsburgh one night and the fire alarm went off and we were forced to evacuate the theater.  I remember staring at the screen, being focused deep in the film.  Suddenly, the movie quickly went off and two white strobe lights kicked on directly underneath.  It took a second for the house lights to come up.  It was a disorienting experience and it took me a moment to understand what was going on.  In fact, I really didn’t until an automated announcement over the intercom to evacuate.  But, I can understand how seconds can come into play during a life or death situation, especially involving a fire.

 

This story also reminds me of the Station Nightclub fire that happened in Warwick, Rhode Island back in 2003.  The entire incident was caught on tape by a news crew, when pyrotechnics caught the stage on fire and burned the entire building in just over 5 minutes.  100 people sadly perished.

 

Monument to the victims of the Brooklyn Theater fire.

Monument to the victims of the Brooklyn Theater fire.

THE 411

 

What: Brooklyn Theater Fire

 

Date: December 5, 1876

 

Location: Brooklyn, New York

 

JERSEY JOE RECOMMENDS:

 

I found this story surfing the internet one night and it made me stop and think.  It’s always a good idea, just to take 2 seconds, and look for the closest exit when you’re at a theater.  While evacuations and incidents are rare, it’s just a good idea to know where to go if you must quickly exit.  In fact, that’s just a good policy in general.  We have disaster drills at work every few months that are mandated by the FDNY that teach us where to go and the several different options we have to exit.  Our fire alarm malfunctions every day, but I’m confident that in an emergency, I know several different ways out.

[Kicking Back with Jersey Joe] Jersey Joe’s Top 100 TV Themes (11-20)

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We’re at the top 20 mark of my 100 favorite TV themes summer countdown.  I hope you’ve enjoyed this as much as I!  These top 20 opening themes are some of the best that ever appeared on television.  Let’s check out 11-20 and see if you were a fan of these shows, too…

 

#20 THE JEFFERSONS

Airdates: 1975-1985 (CBS)

 

 

They’re movin’ on up!

 

What started out as a spin-off from All in the Family, The Jeffersons took on a life of its own.  Anybody remember George Jefferson as on of Archie Bunker’s neighbors?

 

After hitting it big in dry cleaning, George and his wife Weezy purchase an apartment in New York City’s Upper East Side.  The mismatch between not only the couple, but also their neighbors, and smart mouth maid kept this sit-com on the air for 11 seasons.

 

The first set of opening credits perfectly set the tone of the series.  You see the Jeffersons leaving their Queens home, driving over the 59th St. Bridge to the Upper East Side and entering the front elevator door to their new life.  Later versions of the credits kept the same song, but used hilarious b-roll shots of the series.

 

http://youtu.be/R8aSSqBRvZc

 

The Jefferson’s apartment building is a real life apartment building in the Upper East Side.  I know, I work around the corner, and pass it all the time!

 

I also found this unusual version of their opening credits when the show was aired in Italy.  I have no idea why it was edited this way, but the retro shot of Manhattan is kind of cool… the still shots of the actors are not!

 

 

#19 FAMILY FEUD

Airdates: 1976-1985 (ABC), 1988-1993 (CBS), 1977-1995 & 1999-present (Syndicated)

 

 

You know a game show is good when it is still on the air after 35+ years!  Originally developed as a spin-off to Match Game, Family Feud has kept the pulse of America since the 1970’s.  You ask 100 people a question and contestants have to guess their top answers for cash.  It’s a pretty simple concept.

 

The best part of Family Feud’s theme was the original opening where the families would pose behind the large yellow door.  When the show returned in 1999, the producers got rid of the doors, but the families still had that freeze frame moment.  Sadly, they have abandoned the big family intro in the past couple of seasons and they really need to bring it back.

 

Everybody knew Richard Dawson as the original and probably the greatest host ever for this series.  He kissed every woman and even married one of the contestants!

 

When the series returned in 1988, it was with a new host Ray Combs, who was never as good as Dawson.  After a few years of ratings decline, they brought Dawson back with a new version of the original theme and a new set.  This only lasted one season, as the ratings took a major hit during the OJ Simpson trial that caused the show to routinely be preempted.

 

 

The show was brought back again in 1999, this time with Louie Anderson as host.  He got the job after Dawson turned it down.  Louie was hilarious during his first season, but during his second and third seasons, he seemed to lose interest.  With Louie as host, the original theme song was abandoned and a cheesy new theme was created.  The little riddles to introduce the family are absolutely embarrassing.

 

http://youtu.be/JQH99_421PQ

 

After three seasons with Louie, the producers hired Richard Karn (Al from Home Improvement.)  He was terrible!  I went to a taping once while he was hosting and he lost his place and they had to retape part of the round.  He also made a ton of mistakes.  For a brief time during his hosting, they brought back the original theme, but then returned to the Louie Anderson music.  After three seasons of Karn, producers hired John O’Hurley (Mr. Peterman from Seinfeld) as host.  I think O’Hurley was the best behind Dawson.  He was funny, personable, and easy to understand.  It was during his run that they finally brought back the classic music and had the families pose again!

 

 

Since 2010, Steve Harvey has been the host of the show with Joey Fatone as announcer (although he only reads one line that they use over and over again at the opening, so that kind of doesn’t count as announcing.)  Production of the show moved first to Orlando and now to Atlanta, where Harvey lives and hosts his radio show.  The latest version keeps scoring high ratings, but many of the questions are now quite sexual in nature.  I’m not sure I would let my kids watch the latest version of the show.

 

 

But, no matter what… Family Feud is still an awesome game show and I hope to see this one on the air for many more years to come.

 

#18 LAW AND ORDER

Airdates: 1990-2010 (NBC)

 

 

Dun… dun…

 

While the awesome theme and the style of the opening credits to this show haven’t changed during the 20 seasons, the cast sure did.  None of the cast from season 1 made it all the way through to the end.

 

Law & Order detectives take on the hardest criminals in New York City’s mean streets.  The series has also spawned four spin-offs including, Law & Order: Special Victims Unit, Law & Order: Criminal Intent, Law & Order: Trial By Jury, and Law & Order: LA.  The latter was an attempt to continue the series, but it was a massive ratings flop.  Each version of the show used an opening credit theme similar to the original, except for the LA version, which then changed to the classic style credits once the ratings were already in trouble.

 

 

 

http://youtu.be/kP85px_tZ10

 

Law & Order takes full advantage of the NYC streetscape and really can’t work anywhere else (see LA flop version).  There’s always crime and there’s always a story on the streets of the Big Apple.  You also get to see the gentrification of the city as each season passes.

 

I love the theme song, I love the color palette, and I love the editing style of every version of the credits.  There’s still lots more stories to tell.  Even though SVU is still on the air, I think they could bring back the original with a new cast.

 

#17 ROSEANNE

Airdates: 1988-1997 (ABC)

 

 

Roseanne was the working class family that everyone could relate to.  At least they did until the weird last season where the family hit the lottery.  Anyhow, this show was a ratings blockbuster that I’ll still watch if I catch it flipping through the channels.

 

Roseanne’s opening credits were also quite original.  For the first few years, it featured the cast sitting around the kitchen table and would be reshot every season as the kids got older.

 

 

In the later years, they switched to morphing headshots in a photo frame, but kept the sax.  The kitchen table shots were still the best.

 

 

For the final season, most of the cast and producers wanted to end the show, but ABC threw a boatload of money at them, so they pressed on for one more.  This was where we got all the fantasy episodes… remember Roseanne as a super hero saving a train that was taken over by terrorists?  The last season’s intro was pretty cool and that’s where we finally get words to the theme song!  Thanks John Popper!

 

 

#16 THE BIG BANG THEORY

Airdates: 2007-present (CBS)

 

 

Four geeks trying to make their way in the world is the theme behind one of TV’s current ratings leader. The Big Bang Theory has been renewed for several more seasons and can give anyone hope that they can make it in the real world, no matter if you have common sense or not.  While these guys may be geniuses, they have very little life skills… and that’s where the comedy comes from.  I would love to challenge them to a round of rock, paper, scissors, lizard, Spock!

 

The original pilot for the show had a much different set of opening credits and featured the 80’s rock song “She Blinded Me with Science.”  I like how the song and the look of the credits take us quickly forward from the Big Bang to the present.

 

#15 THE SIMPSONS

Airdates: 1989-present (FOX)

 

 

I thought for sure there would be a zillion different Simpsons opening credits uploaded to YouTube, but it turns out that’s incorrect.  They too, most police for their videos.

 

The Simpsons has broken just about every TV milestone and can be considered America’s favorite family since they made their debut on The Tracy Ullman Show back in 1987.  Remember those shorts?

 

I love the opening credits and they really haven’t changed much over the years.  The biggest was when the show finally went to HD a few seasons ago.  With the upgrade, the credits were reorganized with more sight gags added.

 

The best part has been Bart’s funny lines he’s writing on the chalk board and the couch gag, which are reworked for each and every episode.  It’s not every show that does something unique for their credits each time!

 

I’m a huge Simpsons fan, but the comedy has gone down hill in the last few seasons.  I’m not sure if we’ve done all that we can do with the characters, but the writing and jokes just aren’t on par with the earlier seasons of the show.  It almost feels like they’re trying to be too much like The Family Guy.  The show did better when they focused on one character and went for the little sight gags.  I hope they can do something to boost the creativity and keep this show on the air for many more years.  The movie was hilarious, but the weekly series is now lacking.

 

#14 MONDAY NIGHT FOOTBALL

Airdates: 1970-2005 (ABC), 2006-present (ESPN)

 

http://youtu.be/4A_oBNPeHIo

 

So, what ABC affiliate general manager is not kicking himself in the butt for letting this big money show go to cable?

 

This selection in my countdown may shock a few people, but it earned its place for two reasons.  It has kept the same general opening theme music for decades and also has featured the Monday Night Party intro as well, which is changed each week and reshot each season.

 

While I love the FOX Sports theme music, ABC’s football theme was first, and I’m glad that they still use it on the ESPN broadcasts.

 

When Monday Night Football was on regular broadcast television, local stations earned big bucks by selling their share of commercial ad time that was provided by the network.  However, many affiliates complained that the long length of the games would delay their 11pm newscasts and cause a drop in ratings.  After hearing so many complaints, ABC moved the series to ESPN, where it’s been airing ever since.  Sadly, the ratings these stations got back for their 11pm news was short lived.  Ratings for all 11pm newscasts are down, now that people get their info off the internet and none of ABC Monday night programs have earned the same ratings.  This really was a horrible move on the part of ABC affiliates, who have no one to blame but themselves.

 

I’m not sure of the exact year ABC started using their now iconic football theme, but check out the game open from 1970 – that’s brought to you by CIGARETTES!

 

http://youtu.be/8Ldg292epdg

 

While football on Sunday is awesome and the occasional Monday night matchup is great, both the league and network TV are doing themselves a disservice by adding games on Thursday and Saturday nights.  It’s too much football, spread out during the week.  NFL games should be more of an event.  I, like most people, have to get up for work on Friday… (even some Sunday night games can be painful!)  Let’s keep the party where it should be… to two nights a week.

 

But, let’s check out on more ABC themed MNF open… this one from Halloween 1994!

 

 

#13 PARTY OF FIVE

Airdates: 1994-2000 (FOX)

 

 

I have to admit, I was not a major fan of this series – but I thought the short opening credits sequence rocked!

 

Party of Five was a teen drama, which focused on five siblings who had to find a way to live together after their parents are killed by a drunk driver.  The show barely escaped cancellation due to low ratings after the first season, but FOX kept it on, and it eventually found an audience.

 

They must not have been able to secure the rights to use “Closer to Free” internationally.  Check out the overdubbed opening credits as seen in Mexico!

 

 

#12 DIFF’RENT STROKES

Airdates: 1978-1985 (NBC) 1985-1986 (ABC)

 

http://youtu.be/iAwagCwJj-g

 

Does anybody have any real idea what the lyrics to these opening credits mean?  I get it’s the story of two orphans from Harlem who go to live with a rich guy in a New York City penthouse… but is the word Strokes a metaphor for a painting on a canvas and that no two are alike?  I guess so, because everybody’s got a special kind of story.

 

Does the voice behind the song sound familiar?  That’s actor Alan Thicke, the eventual star of Growing Pains.  Thicke actually created the theme song for a number of sit-coms and game shows.

 

The video shoot from the first season, is similar to The Jeffersons, as it shows their journey from poor to rich in about one verse.

 

As the series went on, the opening would change to feature new cast shots and b-roll.  The kids grew up after each season, Mrs. Garett the original housekeeper left for The Facts of Life, and finally Mr. Drummond gets married and a new woman and her son move in.

 

Here’s a look at the last NBC season opening:

 

http://youtu.be/ct5qf3yQHWo

 

After NBC cancelled the show, ABC picked it up for one more season.  Dixie Carter left after fighting with Gary Coleman on the set, so they brought in a lookalike.  Since the show changed networks, a new remixed version of the theme was required.  Since there are only a handful of episodes of this version of the music, you could say it’s a little rare.  It was a cool idea to use all the picture frames, which was high tech at the time!

 

http://youtu.be/Ubgx8WH84jw

 

And I found this awesome clip of a Diff’rent Strokes / Knight Rider crossover!  I don’t ever remember this…  it was clearly a very special two part episode!

 

http://youtu.be/l3ykuBTVNWo

 

#11 FRIENDS

Airdates: 1994-2004 (NBC)

 

http://youtu.be/sLisEEwYZvw

 

Another show that I wasn’t a big fan of, but I clearly get they’re a group of friends, trying to figure out life in New York City.

 

The theme song became so popular, it was rewritten with extra verses added, so it could be played on radio.  The show lasted for 11 seasons, but the credits were shortened to just the main verse in the later years.  Sad, the playing in the fountain opening was kind of unique to this show.

 

 

Another big ratings show for NBC, but the time had come to say goodbye.  The network was eager to keep some form on this show alive, so they spun-off Joey and sent him to LA to become an actor in his self titled series, Joey.

 

 

The show was awful, but yet somehow got renewed for a second season.  It was so bad, Family Guy made fun of their character Cleveland when he was spun-off into his own show, wishing him better luck than this.  I think we can all say we learned something from this blog this week.  It’s not a good idea to send shows from NYC to LA.  Just ask Law & Order, that’s a tough change for audiences to handle!

 

THE 411

 

What: TV Theme Songs

 

Use: themes used to open a TV series or cartoon

 

Purpose: introduce main cast and introduce audience to the theme of the series

 

Numbers reviewed: 11 – 20

 

JERSEY JOE RECOMMENDS:

 

Well, some unusual choices for my top 20, don’t you think?  Next week, I finally reveal my top ten.  No spoilers this time, though.  See if you can guess who I picked for my number one theme!

 

I don’t own any of the rights to these, nor did I upload them to YouTube.  This blog is presented for educational and informational purposes.

 

Image credit – Paul-W

[California Seething] Tonight, On A Very Special California Seething

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If you want to find out how badly I react to death, just ask my wife to tell you about her first trip to my apartment and Dempsey the Free Range White Mouse.

The year was 1998 and the apartment was located on 94th St. between 1st & 2nd– the Upper-Upper-Upper East side, (the Manhattan real-estate equivalent of Off Off Off Broadway) in an area fashionably known as SoSpHa (South of Spanish Harlem) by me- and, ok, only by me. Conveniently, it was only six blocks south of a charming little video store that sold weed and also, I’m told, though I never witnessed this personally, actually rented videos. I think there was one copy of Quiz Show by the register which was passed around to all the Dominican families on the block who wandered in there desperate and starved for entertainment because the nearest Blockbuster was on 86th Street, which might as well have been Mars or New Jersey. My Cal Seething- 062314- andydesolate stretch of 94th Street was known primarily for its proximity to Ski Bar- an unpleasant, sloppy, drug infested mess of a D-Level meat market (the Andy Dick of frat bars) with the slogan “We’re the first step on your walk of shame!”.

Also, my desolate little stretch of 94th street was noteworthy for the wildly excessive volume of human feces lining the sidewalks. Seriously – it was the most full of shit thing I’d ever seen- and this was during the Clinton years (ahhh Bill. How I miss voting for that liar. He left such an indelible mark on all the blue states.) Now, some of you may be saying “Golly, Eric. Wouldn’t any amount of human feces on the streets be considered excessive?” – and, yeah, sure- I can see how you might say that if you’re some backwoods Duck Dynasty hick from the sticks and you’ve never actually lived in New York. But if you have, you know better- cause it’s a city where everyone is pissed off and everything’s been pissed on, and while the City never sleeps- it is often Pooped. But 94th Street was special- it was like New York won the Superbowl for being the filthiest city in America, and 94th street was the dung encrusted ring (this is, of course, before Bloomberg ruined  saved New York.

But the really disturbing thing about this situation (assuming that you don’t consider giant piles of shit on the street to be really disturbing) is that we never actually saw anyone on the street crapping. I mean, you would have thought there would just be a non-stop parade: drunks, junkies, Danish tourists, bums, Dutch squatters, Trustafarians with blond dreadlocks and suspiciously well fed dogs, fucked up Finance frat boy fuckers, Salvadoran bar backs with a long PATH train ride ahead of them, more Dutch squatters, Bridge & Tunnel Club Kids, CHUD, and tragic victims of IBS who just couldn’t make it to the nearest Starbucks- a pilgrimage of poopers from all corners of the City descending on 94th street like Muslems on Mecca (Wow. Seriously, don’t tell ISIS Cal-Seething--062314--isisI said that. I’m already in a fight with them. Thanks to their stupid jihad I can’t wear my favorite hat. Come on, FX, I understand a little product placement- but what’s next- the Sri Lankan Bob’s Burgers Liberation Army? You’ve gone too far.) But- in fact, we never saw anyone- in an urban mystery worthy of the great Don Wildman, the poop just appeared like Ted Cruz- a squat brown lump that comes out of nowhere to stink everything up.

The apartment itself was a good sized one bedroom- big for New York, small for Anne Frank. My friend Sean got the bedroom since he booked a major TV ad campaign for Starburst that year. (Sigh. I love you YouTube.) I slept behind a folding screen in the living room- which was a huge upgrade for me since I spent the year before, in an apartment in the Village, sharing a room with the bathroom sink, and so my standards for privacy were as low as my tolerance for poop in the streets was high. Basically, any apartment where my roommates didn’t have to step over my flatulent, beer soaked carcass on their way to the toilet was like a luxury fucking suite at the Ritz (If I’m honest I think my former roommates were also relieved, though they were too polite to say so. OK, they said so A LOT.)

Anyhow, it was the bacheloriest bachelor pad in all the land, and Sean and I wallowed in our unmitigated dudeness like pigs in shit (have you noticed the weird fecal theme in this post? What’s up with me today? Is the Citrucel not working? Cause if so GOD HELP US ALL.) We lived on white bread, ketchup and American cheese “pizzas” (what, you thought Subway invented the Flatizza?) and the occasional package of shoplifted cold cuts (Starburst money only goes so far.) Sean would sit in the living room majestically, resplendent in his inflatable easy chair from Urban Outfitters, slugging down wine coolers like his gay dads were Bartles and Jaymes, and playing the all the free games on the demo Cal Seething- 062314- parapperdisk that came with his Playstation (dude fucking CRUSHED Pa Rapper the Rapper.) Meanwhile, I lounged in semi-private luxury on my inflatable mattress behind the screen, surrounded by the Great Works of Western Literature I never returned the SUNY Albany library proudly displayed in milk crate bookshelves, while the faces of the Spice Girls beamed beatifically upon me from the wall (seriously don’t ask). We were like the Odd Couple with no Felix, surrounded by half empty bottles, overflowing ashtrays and half empty bottles that had been re-purposed as overflowing ashtrays- living large and riding high on cushions of compressed air until one day our bad housekeeping caught up with us when we broke a bottle and our furniture, and spirits, slowly deflated. Things were never the same again.

But, I digress- because before we got to that point- there was Dempsey the Free Range White Mouse. Dempsey was a pale little mouse that Sean got from his pale little girlfriend. We’ll call her Christy- not because that’s her name but because, seriously, who gives a fuck? Christy was a dance student, and she and her freaky-deaky NYU experimental cohorts had incorporated Dempsey into a performance art piece. After the show- they weren’t sure what to do with the mouse, and since Sean had a soft spot for the little white fluffball (and also liked the mouse) he adopted the little rodent, named it Dempsey, brought it into our home and totally got laid off of it (the man was a goddamn professional). Naturally, it was ill befitting to our dudeness to keep our new little dude locked up in a cage, plus buying a cage would have required a modicum of (gasp) effort and possibly (double gasp) a trip to the boroughs, so we just let him roam free around our pad. And for a short while- it was glorious- Sean on his chair, me on my mattress and Dempsey dashing in and out of the shadows and scaring the LIVING SHIT out of anyone who saw him and jumped to the crazy conclusion that our apartment was infested with mice, when really it was just infested with friends. Who were mice. Oh my God we were gross. Let me tell you- Christy’s replacement Kristy was particularly freaked out. Sigh. Good times.

Anyhow, the point of this whole story- is that the first time I brought my wife, then girlfriend, over to the pad, we opened the door to discover Dempsey dead. How he died, I’m not sure. I can tell you that, in the more advanced stages of my professional career as an arts professional I’ve spent a lot of time and money trying to kill mice and rats and have never had one just drop dead as easily as Dempsey. Regardless- there he was- in the middle of the floor, clutching his tiny heart like Stuart Little doing an impression of Cal Seething- 062314- clintFred Sanford. And I handled it… perfectly- with utterly impeccable stoic manly man-ness. I was John Wayne. I was Gary Cooper. I was motherfucking Clint Eastwood in there- all “Looks like Dempsey didn’t feel so lucky. Punk” and I quickly and efficiently disposed of the carcass before my girlfriend even knew what was happening like an astronaut cowboy in shining armor.

So- great. Fine. No problem- why am I bothering to tell you this story? Because everything I just said above is a complete lie. When I saw Dempsey I freaked the fuck out- less Dirty Harry, more I Love Lucy. I screamed, I hyperventilated, I think I actually said “let’s just leave and come back later”- even though Sean was out of town for a week. I guess I was hoping that the Dead Mouse Fairy would be stopping by to pick up the Cal Seething- 062314- lucycorpse and leave us a shiny new quarter in its place. It was my girlfriend who efficiently settled me down, disposed of the corpse and, for some utterly baffling reason that I’m still totally grateful for, actually married me later. I mean, like a couple of years later- not later that day- that would have been disrespectful to Dempsey.

And why am I telling you this? Well, like I said when I started- I don’t deal well with death. And the proof of that? It just took me over 1400 words to tell you a story I could have put into 140 characters (“Pet mouse died. I freaked out. Girlfriend tossed corpse #notclinteastwood #gotsomesplainintodo #dempseyrip”) and why did it take me so long? Well, OK, sure, it takes me 1400 words to order a burger at In & Out (“Could I get that Animal Style- that’s the one with the onions? Right, the grilled onions? Which doesn’t really make any sense when you think about it- I mean- are there really animals out there that are grilling onions? Except for humans of course, I mean, sure humans are a kind of animal and, yeah, sure we grill onions- but if I ordered my burger ‘human style’ you would think I was some sort of cannibalistic serial killer and Cal Seething- 062314- inandout.you’d call the BAU and they would have to fly out in their G6 and search through Bartlett’s quotations for the perfect thoughtful quote for catching a cannibalistic serial killer, like maybe something from the Donner Party- which, by the way- can I just say- Worst. Party. Ever (except maybe the Republican Party). I mean, I don’t know the Donners- but if you’re gonna have a party, the least you can do is buy some fucking Chex mix or something to keep people from resorting to cannibalism- because, honestly, once you get that Chardonnay flowing- you don’t want a bunch of hangry guests on your hand trying to cook the first guest who passes out on the couch.) but, still, in this case, I was clearly procrastinating because, well, like I said, earlier, I don’t deal well with death.

Of course, the funny thing about death is that it doesn’t really care whether you deal well with it or not- it finds you anyhow. Ha! That is funny! Wait, no, no it’s not. Anyhow, last week, death snuck into the theatre without a ticket (or even the Stage Door code) and took away one of my staff. Someone that I really liked- perhaps even loved. Wow. You have no idea how long it took me to write that sentence. I went through a million different permutations: “someone I really cared for”, “someone I was quite fond of”, “someone, you know, super neat” – all terrible. Even when I finally did decide to include the “L” word, I did it hesitantly, with Cal Seething- 062314- dannyqualifiers, hedging my bets- the idiotic middle-school, Danny Zuko playing it cool in front of the other T-Birds instincts kicking in to protect me from mockery by assholes like…uhm…well…me. The woman who passed away, Bonita, had no such compunctions. She told me she loved me when we spoke on the phone during her illness,when I told her not to worry about her job- just to focus on getting well. And she told me she loved me during her long recovery from surgery when I assured her she could come back whenever she felt ready. And then she told me in person during her brief return to wellness and to work, before she got sick again. Love for her wasn’t a currency to be invested prudently for minimum risk and maximum reward, it was a gift she couldn’t wait to share with the world- a shiny red bicycle she could ride through the neighborhood beaming with joy. It was a gift she couldn’t help sharing, even when she didn’t say the words. She shared it with her smile, the attention she paid, the way she remembered names, the little corners of shared interest she found with co-workers. As the emails poured in responding to the announcement of her passing, each person brought up something new that they shared with her- classic movies, Miami Vice, fashion, the Snoopy dance- the stupid little stuff that makes life worth living, the silly string that ties a community together, the little gifts she shared with all of us every day.

At her funeral, we could see the extent of her impact in the number of people that came to honor her from all areas of her life. Much like weddings, whenever I go to a funeral, I’m always struck by just how little I know about the person who is the focus of the event. At weddings, it makes me a little sad- like here I thought I had some special bond with a particular person, and it turns out I’m just one more well wisher waiting in line for a cursory hug.  At funerals, though, it’s reassuring to see how many people show up- like, it’s great to see just how well loved the person was. Which, I suppose, is exactly the same way I should feel during weddings, but, you know, happiness has a way of making people douchey whereas with grief comes largesse. This is why every person should have the opportunity to attend their own funeral, like Deb did, just so they can see how well liked they are.
Also, every person should have the opportunity to sing lead on a verse of “Sugar High” with a kick ass 90’s band on the roof of the record store where they work, like Gina,

every person should have a drum set at work which they play angrily while they blast “If You Want Blood” to blow off steam when a big evil corporation tries to take over their family business, like Joe,
and EVERY DAY SHOULD BE REX MANNING DAY.
(Seriously, YouTube- I don’t care if video did kill the radio star- I still love you.)

It was a Jehovah’s Witness funeral, BTW- the first one I had attended. I was a little embarrassed when I realized that the event was BYOB (Bring Your Own Bible)- but I was still able to follow along to pick up the major points they discussed:

  1. The world as we know it is an imperfect and wicked place.
  2. The good news is that when we die, we simply go to sleep until we are resurrected by Jehovah into a perfect world.
  3. The bad news is that when exiting the Kingdom Hall parking lot, traffic is really bad, so we shouldn’t even TRY and turn left on Slauson.

Cause, you know- even though you’re probably gonna be resurrected and all- they’d just as soon you didn’t go to your long sleep WHILE PULLING OUT OF THE PARKING LOT. Also, and I’m not sure anyone’s thought of this- if you think traffic on Slauson is bad now- just imagine what it’s gonna be like AFTER the resurrection. Cause not only are there gonna be way more cars on the road, but dead people are like the worst drivers ever. I mean, not to be prejudiced, but, come on- you know that you do not want be on the 405 in rush hour behind some dead guy in a Prius. Seriously, dude, when you see that “my other car turned left on Slauson” bumper sticker on the back of the car- you might as well call into work right then- cause you know when they say “the late”, they’re gonna be referring to you.

And, of course, Death never shows up alone. No siree Bob. He always has his bratty little sister, Regret trailing along. Because, while Death stands silent and aloof all decked out in black listening to Kiss Me, Kiss Me, Kiss Me on his Discman (Death is oldCal Seething- 062314- cindy skool), Regret is trailing behind him in pigtails and a party dress and she’s just saying the darnedest things. Things like “Golly, Eric. If you liked her so much- why didn’t you try harder to find out what was goin’ on with her after she went out of work that last time?” and “Boy- I bet you feel prettttty dumb for saying ‘I’ve gotta call Bonita this week’ while she was out and then not doin’ it. Huh? Dontcha?” and “Gosh, I bet she would have really loved if you would have gone to visit her and brought her a great big bunch of flowers. Butcha didn’t! You’re in big trouble, mister!” And that all brings me back to me first point- which is- that I deal really badly with death. I sort of ignore it for as long as I can until it’s right in my face and then fold like a $3 umbrella in a light drizzle. So- I guess my procrastination was foolish form of optimism- like if I acted as though there was plenty of time, there would magically be all the time in the world. It was dumb. Fortunately, Bonita was smarter than I was. The last time I saw her, I was at the theatre on a Sunday for some annoying reason that I totally don’t remember (I’m just assuming it was annoying.) She was at Stage Door and I was lurching through the building, trying to get out of there and bellowing random instructions at her from around the corner. Well, she wasn’t having any of that. She stopped me in my tracks, called me over, and we talked for a while about this and that- nothing of any major importance. Just catching up. She hugged me and told me she loved me and I said I loved her too, smiled, and walked away. So while that doesn’t shut Regret up completely- it helps to remember.

So yeah, Death- fuck that guy. Hate him. I’d say he’s not welcome in my theatre any more, but, sadly, it’s not up to me. He shows up when he wants to show up and takes who he wants to take and whether it’s a free range little white mouse or a big hearted woman that everybody loved- there’s not a damned thing we can do about it. Huh. Wow. What a terrible ending for a post. OK- let’s try something else.

So- yeah, Death- fuck that guy. Hate him. Takes everyone. But then there are weddings, new babies, conversations in the hallway, birthday cake in the break room, arguments over Fargo, March Madness pools, World Cup games in the lobby, gossipy phone calls, accidental Reply Alls, giggling fits during meetings, new interns, impossible projects, lunchtime therapy sessions, inside jokes, and the million forgotten moments that add up to a life surrounded by people- and Death doesn’t get to take those. Those we can keep- at least til Death takes us. So live your life, share your love, keep in touch with your friends, send Regret to her room. Oh, and be careful pulling out onto Slauson. There’s a lot of traffic out there.